THE MARRAHWANNA QUARTERLY, Vol. 1, No. 1
Cleveland: Renegade Press, 1964
First edition, stapled sheets with printed cover, 150 copies, letterpress. Contributors include: Russell Salamon: V (AFTER PYNCHON), John Keys: PRESCOTT VIA HUDSON, d.a. levy: SHIPENSBURG, Roberta E. Badger: PLEASE, Margaret Randall: THE BROKEN GLASS BEGINS TO WHOLE ITSELF, Marvin Malone: THE PROFESSIONAL, Ann: FALL, J. Cornillon: POEM, Dave Rasey: MIDWESTERN MANIFESTO, Erik Kiviat: [UNTITLED POEM], d.a. levy [print]: YOU MURDERERS WITH YOUR INDIFFERENCE, Allen Katzman: THE TRANSGRESSION, George R. Beck: TWO BROTHERS, Judson Crews: MEDICAL SCIENCE, Pat Crayton: [untitled print] (Lowell B2, T&H P-38)
Is it an insult to d.a. levy to think of his printing efforts in terms of folk art? Why should that thought come to me? Is levy a naive artist? Does his youth imply a certain immaturity? A lack of sophistication? A lack of talent? I do not think so. Nobody says this of Ed Sanders or Ted Berrigan. Fuck You, a magazine of the arts and C: A Journal of Poetry are now viewed as high art. They are bought, sold and displayed in New York galleries. Is it because levy is from Cleveland and outside of the art capital of the world? Maybe it is more accurate to view levy as outsider art, like that of Henry Darger. levy as obsessive. His printing the product of madness and compulsion. Can all the publications of the Mimeo Revolution be viewed in the same terms?
JB
MIMEO MIMEO #8: CURATORS' CHOICE features 16 bibliophiles on 6 highlights from their personal or institutional collections. Contributors include Steve Clay, Wendy Burk, Tony White, Brian Cassidy, Thurston Moore, J.A. Lee, Michelle Strizever, Adam Davis, Michael Basinski, Joseph Newland, Alastair Johnston, Tate Shaw, Michael Kasper, Steve Woodall, Molly Schwartzberg, Nancy Kuhl, James Maynard, and the Utah posse (Becky Thomas, Marnie Powers-Torrey, Craig Dworkin, Emily Tipps, Luise Poulton, & David Wolske)
MIMEO MIMEO #7: THE LEWIS WARSH ISSUE is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded Angel Hair Magazine and Books with Anne Waldman in 1966, and went on to co-found United Artists Magazine and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.
OUT OF PRINT
MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
OUT OF PRINT
MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press).
OUT OF PRINT
MIMEO MIMEO #2: features Emily McVarish on her artist's book Flicker; James Maynard on poet Robert Duncan's early experiences as an editor and typesetter; Derek Beaulieu on the relationship between the influential Canadian poetry journal Tish and Black Mountain College; and an extensive interview with Australian poet and typographer Alan Loney conducted by Kyle Schlesinger. Cover is by Emily McVarish.
OUT OF PRINT
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