34. THE ANGEL HAIR ANTHOLOGY. New York, NY: Granary Books, 2001. 7x9" 664 pages. (E)
Offset, smyth-sewn paperback. Edited with Anne Waldman. Full-color cover photograph by Tom Clark. 1,300 paperback and 300 hardback copies.
“In the late-nineties, Steve Clay and I were visiting Annabel Levitt in upstate New York. We took a long drive and began to talk about this project. It took a few years—Anne Waldman and I worked closely with Steve and his assistant, Amber Phillips, to get it done. When I was teaching at SUNY Albany, I enlisted the work of a student, Mary Burke, and she had a part in organizing everything, especially in the early stages. It kept evolving. The book retrieves the best of the six issues of Angel Hair Magazine, plus excerpts from all the books. There’s the great memoir section at the end with the photographs, and the introductions, in parallel columns, by me and Anne. Then there’s the cover photograph, taken by Tom Clark, summer of 1968, in front of his house in Bolinas, California. That photo gives away a lot, but asks for something back at the same time, the ‘Who am I?’ question, or ‘Who were we?’ The book is dedicated to our mothers, Frances LeFevre Waldman and Ray Warsh.”
Angel Hair reaches us now from a moment in American history that is still a part of our cultural & spiritual present. Under the care of Anne Waldman & Lewis Warsh—young poets in what was, circa 1965, the hot center of ‘new’ ‘American’ ‘poetry’—their economically printed & exuberantly disseminated magazine was a key vehicle for the innovative & groundbreaking work of an entire generation of poets & artists. This large & generous anthology is not only an archival masterpiece—the best of a time that’s now gone though scarce forgotten—but an incitement to keep their work alive for a still newer generation. Hurrahs & kudos to all appearing here & to Granary Books for bravely bringing them forward. —Jerome Rothenberg

MIMEO MIMEO #8: CURATORS' CHOICE features 16 bibliophiles on 6 highlights from their personal or institutional collections. Contributors include Steve Clay, Wendy Burk, Tony White, Brian Cassidy, Thurston Moore, J.A. Lee, Michelle Strizever, Adam Davis, Michael Basinski, Joseph Newland, Alastair Johnston, Tate Shaw, Michael Kasper, Steve Woodall, Molly Schwartzberg, Nancy Kuhl, James Maynard, and the Utah posse (Becky Thomas, Marnie Powers-Torrey, Craig Dworkin, Emily Tipps, Luise Poulton, & David Wolske)
MIMEO MIMEO #7: THE LEWIS WARSH ISSUE is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded Angel Hair Magazine and Books with Anne Waldman in 1966, and went on to co-found United Artists Magazine and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.
OUT OF PRINT
MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
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MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press).
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MIMEO MIMEO #2: features Emily McVarish on her artist's book Flicker; James Maynard on poet Robert Duncan's early experiences as an editor and typesetter; Derek Beaulieu on the relationship between the influential Canadian poetry journal Tish and Black Mountain College; and an extensive interview with Australian poet and typographer Alan Loney conducted by Kyle Schlesinger. Cover is by Emily McVarish.
OUT OF PRINT
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