From Lorenzo Thomas' Fit Music published by Angel Hair Books in 1972 with cover by Cecilio Thomas.
When poets beg acceptance for their lines
It’s when ephemera and wisdom intertwine
When dull biography engulfs a poem,
The poet shores his patron with a Proem
To raise his thought above the dross of life
Since life intrudes, the Proem is a gloss.
Deja vu more or less. Most likely, more
Should fit you now to hear this song of strife.
You spent childhood rehearsing the Korean War
You fucked up in college and picked the wrong major
And in 66 everyone faked concern with Asia
It was all more fitting than you thought;
That staging. When the orders come down
For the Nam fourth of July as is fitting
You implored the Muses to fly from their knotting
You totaled the Chevvy out of meanness
You whined and wondered how to escape this mess
And Lord who to write to. There should be a Lord
If there must be a Proem you thought.
But there was none. Only your drunkard
Friends your dope fiends and pimps
Demon lovers and lovers. And girls dumb
To the morse code from space still arriving
While Zia suns cracked over the desert,
You fled through archives in your brain
Remembering acidulous hash and devotions
Consecrated by the pain of navigating through wine
In peaceful East Coasts full of bare bodies
And icy streets under neon. Now tropical death
Leaped before you. You wept. Wastefulness when
The car ran them down. And the orders came down
As your prophets demanded. Strange FM stations
And astrological phonecalls hastened to soothe you,
Saying “don’t give a damn.” It was time
To be going. Vancouver or South Viet Nam.
KS
08.19.12

MIMEO MIMEO #8: CURATORS' CHOICE features 16 bibliophiles on 6 highlights from their personal or institutional collections. Contributors include Steve Clay, Wendy Burk, Tony White, Brian Cassidy, Thurston Moore, J.A. Lee, Michelle Strizever, Adam Davis, Michael Basinski, Joseph Newland, Alastair Johnston, Tate Shaw, Michael Kasper, Steve Woodall, Molly Schwartzberg, Nancy Kuhl, James Maynard, and the Utah posse (Becky Thomas, Marnie Powers-Torrey, Craig Dworkin, Emily Tipps, Luise Poulton, & David Wolske)
MIMEO MIMEO #7: THE LEWIS WARSH ISSUE is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded Angel Hair Magazine and Books with Anne Waldman in 1966, and went on to co-found United Artists Magazine and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.
OUT OF PRINT
MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
OUT OF PRINT
MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press).
OUT OF PRINT
MIMEO MIMEO #2: features Emily McVarish on her artist's book Flicker; James Maynard on poet Robert Duncan's early experiences as an editor and typesetter; Derek Beaulieu on the relationship between the influential Canadian poetry journal Tish and Black Mountain College; and an extensive interview with Australian poet and typographer Alan Loney conducted by Kyle Schlesinger. Cover is by Emily McVarish.
OUT OF PRINT
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