Dave Haselwood designed The Hotel Wentley Poems but he did not print it. East Wind Printers did the honors and according to Haselwood they botched it. Haselwood's "vision of what the book should look like was not completely carried through. That made me decide that in the future I would not only design but personally print any book the Press decided to do." The above announcement card definitely does not have that Auerhahn feel to it and handling this announcement vs. the Auerhahn business cards reveals a clear difference in print quality.From what I can tell, Auerhahn called 1605 Laguna home and then moved to 1334 Franklin. By the time of Andrew Hoyem's arrival in 1961, the print shop was at 1334 Franklin. Glenn Todd remembers the two men printing in a small room there. The Hotel Wentley was on 1214 Polk and Haselwood had a small room on rent that he loaned to John Wieners for a week, during which Wieners banged out his slim first collection of poems. Foster's Cafeteria was on the first floor of the Wentley Building. Foster's is long gone, but, in February of 2009, the Bed Bug Registry reported a complaint for an apartment at this address. Good to see things have not totally changed.
Here is Jack Hirschman's 1961 review of The Hotel Wentley Poems published in The Village Voice http://news.google.com/newspapers?nid=1299&dat=19610302&id=PmoQAAAAIBAJ&sjid=3osDAAAAIBAJ&pg=5952,1432773
JB
MIMEO MIMEO #8: CURATORS' CHOICE features 16 bibliophiles on 6 highlights from their personal or institutional collections. Contributors include Steve Clay, Wendy Burk, Tony White, Brian Cassidy, Thurston Moore, J.A. Lee, Michelle Strizever, Adam Davis, Michael Basinski, Joseph Newland, Alastair Johnston, Tate Shaw, Michael Kasper, Steve Woodall, Molly Schwartzberg, Nancy Kuhl, James Maynard, and the Utah posse (Becky Thomas, Marnie Powers-Torrey, Craig Dworkin, Emily Tipps, Luise Poulton, & David Wolske)
MIMEO MIMEO #7: THE LEWIS WARSH ISSUE is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded Angel Hair Magazine and Books with Anne Waldman in 1966, and went on to co-found United Artists Magazine and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.
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MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
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MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press).
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MIMEO MIMEO #2: features Emily McVarish on her artist's book Flicker; James Maynard on poet Robert Duncan's early experiences as an editor and typesetter; Derek Beaulieu on the relationship between the influential Canadian poetry journal Tish and Black Mountain College; and an extensive interview with Australian poet and typographer Alan Loney conducted by Kyle Schlesinger. Cover is by Emily McVarish.
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