


Alastair Johnston sent me "The Way-Out Walk of Poets" photograph above to go with the post on the Mad Mammoth Monster Poetry Reading. Wallace Berman took the shot of Bruce Conner and Beth Branaman (behind mask) who both designed the costumes for the Walk. Alastair used the photograph on the cover of The Ampersand's Beat: A Dead Horse issue. Alastair edited the Quarterly Journal of the Pacific Center for the Book Arts and it is worth hunting down old copies if you can find them. I have a few and there are great interviews and images relating to the alternative press in California. Unfortunately, I can find only one issue of The Ampersand on Abebooks.The reference to 707 Scott Street on the upper left hand corner of the photograph caught my eye. The address is on Alamo Square, "one of the most photographed places in San Francisco" (see Morgan). Wallace Berman lived there in the late 1950's and took a famous shot of Jay DeFeo at her studio standing in front of her painting The Eyes. The photograph was exhibited in 1959 at 707 Scott Street. I assume that the Way-Out Walk photo was exhibited at the same time. Berman would provide Auerhahn Press with cover images at this time, including the iconic ones of Philip Lamantia injecting himself for Narcotica.
Joanna and Michael McClure lived at 707 Scott Street as well. As did Larry Jordan. Ark II, Moby I, a key little magazine of the San Francisco Renaissance, was printed in the basement. John Wieners lived at 707 Scott and kept a journal throughout 1959, before he suffered a nervous breakdown in the months after the Mad Mammoth Reading and retreated to Boston to recuperate. The journal (pictured above) was published in 1996 by Sun & Moon Press.
JB
MIMEO MIMEO #8: CURATORS' CHOICE features 16 bibliophiles on 6 highlights from their personal or institutional collections. Contributors include Steve Clay, Wendy Burk, Tony White, Brian Cassidy, Thurston Moore, J.A. Lee, Michelle Strizever, Adam Davis, Michael Basinski, Joseph Newland, Alastair Johnston, Tate Shaw, Michael Kasper, Steve Woodall, Molly Schwartzberg, Nancy Kuhl, James Maynard, and the Utah posse (Becky Thomas, Marnie Powers-Torrey, Craig Dworkin, Emily Tipps, Luise Poulton, & David Wolske)
MIMEO MIMEO #7: THE LEWIS WARSH ISSUE is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded Angel Hair Magazine and Books with Anne Waldman in 1966, and went on to co-found United Artists Magazine and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.
OUT OF PRINT
MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
OUT OF PRINT
MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press).
OUT OF PRINT
MIMEO MIMEO #2: features Emily McVarish on her artist's book Flicker; James Maynard on poet Robert Duncan's early experiences as an editor and typesetter; Derek Beaulieu on the relationship between the influential Canadian poetry journal Tish and Black Mountain College; and an extensive interview with Australian poet and typographer Alan Loney conducted by Kyle Schlesinger. Cover is by Emily McVarish.
OUT OF PRINT
0 comments:
Post a Comment