Completeness is the horizon constantly before the eyes of the collector but a place, a state never to be attained. I thought I was approaching the unapproachable in regards to Open Space. From what I could tell I had all the magazines as well as the standalone chapbook publications. In fact, they can all be found on the Mimeo Mimeo blog.And then Harold Dull's Venus and the Moon come into my orbit. The bookseller's catalog description stated it was associated with Open Space #4. This would be the White Hope Issue not the Taurus Issue. Yes, there were two Number 4s. Open Space is quirky like that.
The publication advertised came from Harold Dull's personal collection so it could be like an offprint for his own personal distribution. Yet Alastair Johnston, author of the White Rabbit bibliography, which features a valuable checklist on Open Space magazine, suggests that there were possibly overrun sheets of the Dull poem and the extras were used to make the above publication, which was printed, like Open Space, "sans serif typewriter litho on cheap bond."
Back in 2006, when Ron Silliman wrote on Dull, he describes this same publication as one of the four Dull items in his possession. As Silliman notes, Venus and the Moon became the opening poem in Dull's 1967 collection The Star Year, "a record of discovery of stars in life and sky, celebrat[ing] the beginning of [Dull's] new life at Drew House with Ila Hinton" (Poet Be Like God). I have no idea how many copies of Venus and the Moon were made or the motive behind it. There is another copy currently available on Abebooks.
All I know is that I had to buy it. Immediately. In order to get one step closer to that ever-receding horizon.
JB
MIMEO MIMEO #8: CURATORS' CHOICE features 16 bibliophiles on 6 highlights from their personal or institutional collections. Contributors include Steve Clay, Wendy Burk, Tony White, Brian Cassidy, Thurston Moore, J.A. Lee, Michelle Strizever, Adam Davis, Michael Basinski, Joseph Newland, Alastair Johnston, Tate Shaw, Michael Kasper, Steve Woodall, Molly Schwartzberg, Nancy Kuhl, James Maynard, and the Utah posse (Becky Thomas, Marnie Powers-Torrey, Craig Dworkin, Emily Tipps, Luise Poulton, & David Wolske)
MIMEO MIMEO #7: THE LEWIS WARSH ISSUE is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded Angel Hair Magazine and Books with Anne Waldman in 1966, and went on to co-found United Artists Magazine and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.
OUT OF PRINT
MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
OUT OF PRINT
MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press).
OUT OF PRINT
MIMEO MIMEO #2: features Emily McVarish on her artist's book Flicker; James Maynard on poet Robert Duncan's early experiences as an editor and typesetter; Derek Beaulieu on the relationship between the influential Canadian poetry journal Tish and Black Mountain College; and an extensive interview with Australian poet and typographer Alan Loney conducted by Kyle Schlesinger. Cover is by Emily McVarish.
OUT OF PRINT
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