Ever since reading Walter Benjamin's "Unpacking My Library" years ago, Benjamin and his various archives and projects have been my model as a collector. Benjamin serves as a guardian angel watching over Mimeo Mimeo. I highly recommend Verso's Walter Benjamin's Archive. Fascinating insights into a collection and the passion and mind that drove and organized it.
Benjamin makes me feel good as a collector unlike Jean Baudrillard and his essay "The System of Collecting." Who wants to be that guy? It is a fine line between collector (order, sanity) and horder (chaos, madness).
Looking over Benjamin's archive it is easy to see his loving gathering of Russian peasant figurines as a countermeasure to the Nazis ruthless roundup of human beings. One collection preserves and keeps alive and one exterminates. The collecting impulse is both merciful and murderous.
In 1989, I walked through Auschwitz., an experience which I will never forget. When confronted with Benjamin and his archive, I always flash to Auschwitz and a room filled floor to ceiling with suitcases. The fate of an archive is ultimately depressing, leading to an inevitable death and dispersal. I am reminded of the fate of some other suitcases: Benjamin's lost at the Spanish border; Duchamp's institutionalized in the museum.
JB
MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
The few copies that remain can be purchased via 
MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press).
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MIMEO MIMEO #2: features Emily McVarish on her artist's book Flicker; James Maynard on poet Robert Duncan's early experiences as an editor and typesetter; Derek Beaulieu on the relationship between the influential Canadian poetry journal Tish and Black Mountain College; and an extensive interview with Australian poet and typographer Alan Loney conducted by Kyle Schlesinger. Cover is by Emily McVarish.
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MIMEO MIMEO #1: features Christopher Harter on Midwest mimeo; Jed Birmingham on British poet and critic Jeff Nuttall's My Own Mag; an extensive interview with acclaimed printer, bibliographer and critic Alastair Johnston of Poltroon Press, and poems by Stephen Vincent inspired by Jack Spicer. Cover is by Alastair Johnston.
The few copies that remain can be purchased via 
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