A few years ago I was all psyched about a project to track who got copies of Floating Bear. I created a spreadsheet and everything: http://realitystudio.org/bibliographic-bunker/floating-bear-archive/. At that point I tracked all the copies I could find and I lost touch with it. Well, since Between the Covers' attempt to establish the market for Floating Bear at several hundred dollars a copy, lots of copies of Floating Bear have come to market. Unfortunately I have not tracked these new copies.I should. It would make an interesting chapbook to write about who received Floating Bear and what these correspondences mean. I could see it taking the shape of 37 chapters with each chapter focusing on each issue of Floating Bear and homing in on one issue and one particular relationship.
For example, Chapter 10 would deal with Issue 10 (pictured above) which was sent to Chicago to Frederick Bock , the associate editor of Poetry. Issue 10 dealt exclusively with the poetry of John Wieners. What makes this issue great is that it was Returned to Sender. Maybe Bock's address changed or the address was wrong or whatever, but it would be fun to riff on the possibility that Bock refused to accept it, that he ducked it like an unwanted subpoena. In 1961, the poetry of Wieners and the rest of the poets of the New American Anthology (and Floating Bear) were not to be invited into the home of the editor of Poetry. Likewise, they were not ushered into the pages of the establishment magazines. Such rejections were the primary reason for mimeos like Floating Bear in the first place.
I should really do this.
JB
MIMEO MIMEO #8: CURATORS' CHOICE features 16 bibliophiles on 6 highlights from their personal or institutional collections. Contributors include Steve Clay, Wendy Burk, Tony White, Brian Cassidy, Thurston Moore, J.A. Lee, Michelle Strizever, Adam Davis, Michael Basinski, Joseph Newland, Alastair Johnston, Tate Shaw, Michael Kasper, Steve Woodall, Molly Schwartzberg, Nancy Kuhl, James Maynard, and the Utah posse (Becky Thomas, Marnie Powers-Torrey, Craig Dworkin, Emily Tipps, Luise Poulton, & David Wolske)
MIMEO MIMEO #7: THE LEWIS WARSH ISSUE is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded Angel Hair Magazine and Books with Anne Waldman in 1966, and went on to co-found United Artists Magazine and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.
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MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
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MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press).
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MIMEO MIMEO #2: features Emily McVarish on her artist's book Flicker; James Maynard on poet Robert Duncan's early experiences as an editor and typesetter; Derek Beaulieu on the relationship between the influential Canadian poetry journal Tish and Black Mountain College; and an extensive interview with Australian poet and typographer Alan Loney conducted by Kyle Schlesinger. Cover is by Emily McVarish.
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