I just got back from a trip to the Avalon Peninsula in Newfoundland. My wife and I stayed in a small red house (not unlike the one pictured above) on the edge of the ocean in the small hamlet of Pouch (pronounced Pooch) Cove.Jeff Maser of bookselling fame recommended that I read Alistair MacLeod's short story "The Boat" during my trip. Well, I found a copy of The Lost Salt Gift of Blood, MacLeod's slim first collection of short stories published in 1976, which includes The Boat and six other stories.
MacLeod is a craftsman, each story like a wooden boat meticulously made by hand. Seaworthy to be sure and as uncompromising and devastating as the sea itself. Like The Odyssey, that first story of the sea, MacLeod's stories deal with home and homecomings, journeys away, father/sons and family.
I read The Boat at The Ship Pub, which is located in an alley between Water and Duckworth Streets in St. John's. This is one of the great literary pubs in St. John's, which might possibly have more bars per capita than any city in North America. I settled into a chair at the bar ordered a Black Horse pint and jumped into the story. The writing was a crisp, clear, and clean as the waters of around St. John's Harbour and it pulled me out in its riptides. About a half hour later my pint was gone and the story finished and my head was swimming a little, eyes a bit wet as I stepped out into the bracing grey mist and fog. Maser must have known that this story would give me a taste of Newfoundland, more full of salt and sea than a bite of fish and chips at Cres's just up the street. What he might not have know is that the story would also take my thoughts home to my own father who now rests mingled in the fresh waters of Maine overlooked by Blue Hill.
Thanks Jeff for a great recommendation and for introducing me to a writer I had never heard of and a reading experience I will not forget.
JB
MIMEO MIMEO #8: CURATORS' CHOICE features 16 bibliophiles on 6 highlights from their personal or institutional collections. Contributors include Steve Clay, Wendy Burk, Tony White, Brian Cassidy, Thurston Moore, J.A. Lee, Michelle Strizever, Adam Davis, Michael Basinski, Joseph Newland, Alastair Johnston, Tate Shaw, Michael Kasper, Steve Woodall, Molly Schwartzberg, Nancy Kuhl, James Maynard, and the Utah posse (Becky Thomas, Marnie Powers-Torrey, Craig Dworkin, Emily Tipps, Luise Poulton, & David Wolske)
MIMEO MIMEO #7: THE LEWIS WARSH ISSUE is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded Angel Hair Magazine and Books with Anne Waldman in 1966, and went on to co-found United Artists Magazine and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.
OUT OF PRINT
MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
OUT OF PRINT
MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press).
OUT OF PRINT
MIMEO MIMEO #2: features Emily McVarish on her artist's book Flicker; James Maynard on poet Robert Duncan's early experiences as an editor and typesetter; Derek Beaulieu on the relationship between the influential Canadian poetry journal Tish and Black Mountain College; and an extensive interview with Australian poet and typographer Alan Loney conducted by Kyle Schlesinger. Cover is by Emily McVarish.
OUT OF PRINT
0 comments:
Post a Comment