





Yesterday I rendezvoused with a brother in arms at the cigar store and was handed a manila envelope enclosing a dossier pivotal to the success of the Mimeo Revolution. The scans above do not do justice to the breadth and depth of this project. It is a multi-media affair with a CD, a website, text and artwork.
Like all the great mimeo productions of the past, the Abearica project draws on the foundations that supposedly build America: individuality, non-conformity, and freedom of thought, action and expression. There is an anti-war stance that holds the project together but the war could just as well be a guerilla action against the mainstream media's assault on one's consciousness as the United States's foreign policy. But as the Abearica project makes clear the assaults of the media and the government are inseparable.
The Abearica dossiers are not for sale. They are handed out to comrades in arms as well as mailed out to the unsuspecting, selected at random. It remains to be seen what the uninitiated will do once they open the dossier. I, for one, sat in shock.
The printing is top-notch as is the paper. What sets Abearica apart is the obsessive attention to detail. The little touches. The confidential stamps, the authentic memoranda, the personalized stamp with the Abearica logo on the self-addressed envelope to be used to mail-in your signed Declaration of Conformity, the hand-painted dossiers and envelopes, the sew-on patch. I have yet to listen to the CD put the lyrics to this merging of hip-hop and spoken word are on http://www.madeinabearica.com/. The website gives you some idea of the entire affair.
Abearica made me think of the In Numbers book should this be the first in a series. Like Semina before it, Abearica is an art project, a state of mind, and a call to, not so much arms, as eyes and minds. Like Abearica itself, eyes and minds are to be opened.
JB
JB
MIMEO MIMEO #8: CURATORS' CHOICE features 16 bibliophiles on 6 highlights from their personal or institutional collections. Contributors include Steve Clay, Wendy Burk, Tony White, Brian Cassidy, Thurston Moore, J.A. Lee, Michelle Strizever, Adam Davis, Michael Basinski, Joseph Newland, Alastair Johnston, Tate Shaw, Michael Kasper, Steve Woodall, Molly Schwartzberg, Nancy Kuhl, James Maynard, and the Utah posse (Becky Thomas, Marnie Powers-Torrey, Craig Dworkin, Emily Tipps, Luise Poulton, & David Wolske)
MIMEO MIMEO #7: THE LEWIS WARSH ISSUE is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded Angel Hair Magazine and Books with Anne Waldman in 1966, and went on to co-found United Artists Magazine and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.
OUT OF PRINT
MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
OUT OF PRINT
MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press).
OUT OF PRINT
MIMEO MIMEO #2: features Emily McVarish on her artist's book Flicker; James Maynard on poet Robert Duncan's early experiences as an editor and typesetter; Derek Beaulieu on the relationship between the influential Canadian poetry journal Tish and Black Mountain College; and an extensive interview with Australian poet and typographer Alan Loney conducted by Kyle Schlesinger. Cover is by Emily McVarish.
OUT OF PRINT
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