





Yesterday I rendezvoused with a brother in arms at the cigar store and was handed a manila envelope enclosing a dossier pivotal to the success of the Mimeo Revolution. The scans above do not do justice to the breadth and depth of this project. It is a multi-media affair with a CD, a website, text and artwork.
Like all the great mimeo productions of the past, the Abearica project draws on the foundations that supposedly build America: individuality, non-conformity, and freedom of thought, action and expression. There is an anti-war stance that holds the project together but the war could just as well be a guerilla action against the mainstream media's assault on one's consciousness as the United States's foreign policy. But as the Abearica project makes clear the assaults of the media and the government are inseparable.
The Abearica dossiers are not for sale. They are handed out to comrades in arms as well as mailed out to the unsuspecting, selected at random. It remains to be seen what the uninitiated will do once they open the dossier. I, for one, sat in shock.
The printing is top-notch as is the paper. What sets Abearica apart is the obsessive attention to detail. The little touches. The confidential stamps, the authentic memoranda, the personalized stamp with the Abearica logo on the self-addressed envelope to be used to mail-in your signed Declaration of Conformity, the hand-painted dossiers and envelopes, the sew-on patch. I have yet to listen to the CD put the lyrics to this merging of hip-hop and spoken word are on http://www.madeinabearica.com/. The website gives you some idea of the entire affair.
Abearica made me think of the In Numbers book should this be the first in a series. Like Semina before it, Abearica is an art project, a state of mind, and a call to, not so much arms, as eyes and minds. Like Abearica itself, eyes and minds are to be opened.
JB
JB
MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
The few copies that remain can be purchased via
MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press).
The few copies that remain can be purchased via
MIMEO MIMEO #2: features Emily McVarish on her artist's book Flicker; James Maynard on poet Robert Duncan's early experiences as an editor and typesetter; Derek Beaulieu on the relationship between the influential Canadian poetry journal Tish and Black Mountain College; and an extensive interview with Australian poet and typographer Alan Loney conducted by Kyle Schlesinger. Cover is by Emily McVarish.
The few copies that remain can be purchased via
MIMEO MIMEO #1: features Christopher Harter on Midwest mimeo; Jed Birmingham on British poet and critic Jeff Nuttall's My Own Mag; an extensive interview with acclaimed printer, bibliographer and critic Alastair Johnston of Poltroon Press, and poems by Stephen Vincent inspired by Jack Spicer. Cover is by Alastair Johnston.
The few copies that remain can be purchased via
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