For those who follow the doings of tweens and teenagers (and you should as they dictate much of the content of TV, film and music, ie the arts in the mass media), you know they are voracious in their consumption of all things related to the vampire saga Twilight. The new trailer for the third installment, Eclipse, is out. The buzz is deafening.
On Google if you search "Eclipse and Dracula," after video trailers for the Eclipse episode of Young Dracula, another product of the current vampire phenomenon, the fourth hit is Lorenzo Thomas' Dracula as made available by Eclipse, the digital archive associated with the University of Utah and Craig Dworkin.
What does it means for a curious teenager, saturated with mass media representations of vampires, to be confronted with this:
Start the thing over again:
DRACULA is not a myth but
Just another cheap novel
Written in the boring 18th
19th century made into the
Worst film of 1932 1958 and
Unless we get wise to our-
Selves next year over again
Then what is all this
Dracula is real Dracula is real!
or this
Dracula
your white faces
against the night
Hair falling back
over your faces
formula STORY
Would Thomas' Dracula speak to that teenager? Would it educate? Would it entertain? What does it mean to read it online? Would the teenager print it out? Or read it on a Kindle?
And what about poor old, irrelevant me, three years out of the 18-35 demographic, who just searched on Abebooks, eager to purchase a copy of the 1973 Angel Hair edition, and just discovered that no copies are available?
I guess I will have to live with my Angel Hair Anthology by Granary Press.

MIMEO MIMEO #8: CURATORS' CHOICE features 16 bibliophiles on 6 highlights from their personal or institutional collections. Contributors include Steve Clay, Wendy Burk, Tony White, Brian Cassidy, Thurston Moore, J.A. Lee, Michelle Strizever, Adam Davis, Michael Basinski, Joseph Newland, Alastair Johnston, Tate Shaw, Michael Kasper, Steve Woodall, Molly Schwartzberg, Nancy Kuhl, James Maynard, and the Utah posse (Becky Thomas, Marnie Powers-Torrey, Craig Dworkin, Emily Tipps, Luise Poulton, & David Wolske)
MIMEO MIMEO #7: THE LEWIS WARSH ISSUE is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded Angel Hair Magazine and Books with Anne Waldman in 1966, and went on to co-found United Artists Magazine and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.
OUT OF PRINT
MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
OUT OF PRINT
MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press).
OUT OF PRINT
MIMEO MIMEO #2: features Emily McVarish on her artist's book Flicker; James Maynard on poet Robert Duncan's early experiences as an editor and typesetter; Derek Beaulieu on the relationship between the influential Canadian poetry journal Tish and Black Mountain College; and an extensive interview with Australian poet and typographer Alan Loney conducted by Kyle Schlesinger. Cover is by Emily McVarish.
OUT OF PRINT
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