
A series of three Quotes of the Week printed over the course of three weeks in September 1964. These broadsides are some of the greatest oddities of the entire Fuck You output. They are rare and sought after. The epitome of the spirit of Fuck You, the quotes highlight Sanders’ credo: “I’ll print anything.” Inside jokes of the New York literary scene of the 1960s, the inter-related “Quotes of the Week” could serve as Exhibit No. 1 in documenting the role of mimeo in transmitting gossip and uniting community that was described in great detail in Reva Wolf’s Andy Warhol, Poetry and Gossip in the 1960s and Daniel Kane’s All Poets Welcome: The Lower East Side Poetry Scene in the 1960s.
The quotes include:
Fainlight, Harry. Fuck You Quote of the Week No. 1. Mimeographed broadside. Single 8.5 X 11 sheet. Issued September 7, 1964.
“I have piles/I thought it was/gonorrhea/it’s terrible/I have to/do all/kinds of/sordid blow job/ scenes/ now.” The quote was spoken by Fainlight at Bickfords in Times Square at 4:50 pm on September 5, 1964.
Ashbery, John. Fuck You Quote of the Week #2. Mimeographed Broadside. Single 8.5 X 11 sheet. Issued September 16, 1964. 4to. Kermani H1b. Number 2.
The full text of Ashbery's remark is: 'Welll [sic], as you grow older, you find there's all kinds of Queens. . . . Peach-pit Queenns [sic]!'
The quote by Ashbery was overheard at a party at Bill Berkson’s on East 57th Street in New York in September, 1964 celebrating Ashbery’s upcoming return to France. The comment was made in reference to Sanders’ recently published Toe Queen Poems.
Koch, Kenneth. Fuck You Quote of the Week No. 3. Mimeographed broadside. Single 8.5 X 11 sheet. Issued September 23, 1964.
“It’s shit. It’s all shit.” Spoken by Kenneth Koch after just having read Harry Fainlight's quote of the week.
- JB
MIMEO MIMEO #8: CURATORS' CHOICE features 16 bibliophiles on 6 highlights from their personal or institutional collections. Contributors include Steve Clay, Wendy Burk, Tony White, Brian Cassidy, Thurston Moore, J.A. Lee, Michelle Strizever, Adam Davis, Michael Basinski, Joseph Newland, Alastair Johnston, Tate Shaw, Michael Kasper, Steve Woodall, Molly Schwartzberg, Nancy Kuhl, James Maynard, and the Utah posse (Becky Thomas, Marnie Powers-Torrey, Craig Dworkin, Emily Tipps, Luise Poulton, & David Wolske)
MIMEO MIMEO #7: THE LEWIS WARSH ISSUE is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded Angel Hair Magazine and Books with Anne Waldman in 1966, and went on to co-found United Artists Magazine and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.
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MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
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MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press).
OUT OF PRINT
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