I have never been able to fully embrace the work of Lew Welch. He has been suggested to me numerous times over the years as a poet whose work I would enjoy, and thus I dutifully track down a copy of Ring of Bone or more recently his potluck How I Work As A Poet. And each time I come to the conclusion that he is not for me. That said, I greatly enjoy coming across anything by Donald Allen's Grey Fox Press, which kept Welch before a reading public after Welch walked away from poetry in 1971 never to be seen again. If not for Allen's efforts, Welch might very well have disappeared without a trace altogether.
While roaming in a bookshop if I come across a Grey Fox title, I always pick it up and more often than not take it away with me, such as my copy of Gary Snyder's Passage Through India that I bought at the Chicken Barn outside of Ellsworth. The orange covers have faded to yellow, no doubt by the Gay Sunshine, the interview conducted by Allen Young with Allen Ginsberg, that I also picked up at a used bookstore years ago. Composed on the Tongue. The Good Blonde. Old Angel Midnight. All used bookshop purchases; all found through browsing and happy chance. I never set out to find a Grey Fox, but I am always filled with wonder when I see one lurking in the stacks or hiding in a box.
The day I bought Passage Through India I also bought T.S. Eliot's On Poetry and Poets, in the 1957 Farrar hardcover edition, which sat on the same shelf of the Grey Fox title in the literary essay section. On Poetry and Poets contains Eliot's essay What is Minor Poetry? The backlist for Grey Fox Press provides an answer to that question in terms of New American Poetry rather than Eliot's New Criticism. I am always pleased by the juxtapositions and associations that I find in my stack of books picked up after a day of hitting the used bookstores. Much more satisfying than downloading What Is Minor Poetry? off of JSTOR for $44. A simultaneously richer and cheaper experience to be sure.
JB



MIMEO MIMEO #8: CURATORS' CHOICE features 16 bibliophiles on 6 highlights from their personal or institutional collections. Contributors include Steve Clay, Wendy Burk, Tony White, Brian Cassidy, Thurston Moore, J.A. Lee, Michelle Strizever, Adam Davis, Michael Basinski, Joseph Newland, Alastair Johnston, Tate Shaw, Michael Kasper, Steve Woodall, Molly Schwartzberg, Nancy Kuhl, James Maynard, and the Utah posse (Becky Thomas, Marnie Powers-Torrey, Craig Dworkin, Emily Tipps, Luise Poulton, & David Wolske)
MIMEO MIMEO #7: THE LEWIS WARSH ISSUE is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded Angel Hair Magazine and Books with Anne Waldman in 1966, and went on to co-found United Artists Magazine and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.
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MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
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MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press).
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MIMEO MIMEO #2: features Emily McVarish on her artist's book Flicker; James Maynard on poet Robert Duncan's early experiences as an editor and typesetter; Derek Beaulieu on the relationship between the influential Canadian poetry journal Tish and Black Mountain College; and an extensive interview with Australian poet and typographer Alan Loney conducted by Kyle Schlesinger. Cover is by Emily McVarish.
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