I read Toujours
l’amour by Ron Padgett recently. I
thoroughly enjoyed the poems, but that is not why I feel compelled to return to
the Mimeo Mimeo blog after a long hiatus.
As is often the case with me, my interest stems from the peripherals,
from the margins, rather than from the main text itself. Last things first. I could not get over Padgett’s author photo
taken by Jacob Burckhardt on the back cover.
Ron looks great! Part pimp, part
don, part disco. It bears mentioning
that this was definitely a look circa 1976.
Padgett as Martin Scorsese as the Passenger in The Taxi Driver. Toujours l’amour to be sure.
And if we are talking about New York City in 1976,
one must touch on graffiti, and my copy of Toujours
l’amour has a touch of that as well.
In the presence of a bookplate.
For what are bookplates but a form of tagging. Personally I hate bookplates. Some people love them and even collect
them. In fact one of the most consistently
praised book blogs is one dedicated to bookplates: Confessions of a Bookplate Junkie. I would suspect that Jon Lawson Buller’s
bookplate would be collectible just as kitch or bad art has become increasingly
collectible. If Padgett with this beard
is channeling Scorsese or a member of the hirsute Bronx Zoo (the Yankees that is),
Buller calls to mind nobody less than the Hulkster with his defiant fading
glory hairdo. As for the cat, I like to
think, with a nod to Baltimore ambulance chaser and media icon Barry Glazer
that Buller is one of the urinated upon, because like the cat, Buller is
clearly marking his territory with his bookplate. His book indeed
JB





MIMEO MIMEO #8: CURATORS' CHOICE features 16 bibliophiles on 6 highlights from their personal or institutional collections. Contributors include Steve Clay, Wendy Burk, Tony White, Brian Cassidy, Thurston Moore, J.A. Lee, Michelle Strizever, Adam Davis, Michael Basinski, Joseph Newland, Alastair Johnston, Tate Shaw, Michael Kasper, Steve Woodall, Molly Schwartzberg, Nancy Kuhl, James Maynard, and the Utah posse (Becky Thomas, Marnie Powers-Torrey, Craig Dworkin, Emily Tipps, Luise Poulton, & David Wolske)
MIMEO MIMEO #7: THE LEWIS WARSH ISSUE is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded Angel Hair Magazine and Books with Anne Waldman in 1966, and went on to co-found United Artists Magazine and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.
OUT OF PRINT
MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
OUT OF PRINT
MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press).
OUT OF PRINT
MIMEO MIMEO #2: features Emily McVarish on her artist's book Flicker; James Maynard on poet Robert Duncan's early experiences as an editor and typesetter; Derek Beaulieu on the relationship between the influential Canadian poetry journal Tish and Black Mountain College; and an extensive interview with Australian poet and typographer Alan Loney conducted by Kyle Schlesinger. Cover is by Emily McVarish.
OUT OF PRINT
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