Kingfisher Premium qualifies as a cheap beer in my
book. I drink it in those cheap Indian
buffet places where you get a 3 portion mix-and-match, usually all veggie for
me. I’ll order Allo Gobi from a cheap
Indian place that operates out of a bathroom stall in a bus station. Love it, and a couple of beers to wash it all
down. Kingfisher and Taj Mahal are my
go-tos. I think these beers are like a
Bud here. Kingfisher is the number one selling
Indian beer, right. Obviously, they are
not on the Deadspin list because they are Indian beers, but if the list ever
goes international, I would suspect an Indian beer or two would make the grade. Maybe not the Taj Mahal. According to reviews, it looks like sophisticated
beer quaffers, turn their nose up at the Taj, but I like it just fine. The bigger the bottle the better. Usually a 22 ounce.
I googled “Charles Olson” poet beer,
and the first hit comes from the Art of Poetry (No. 12 in the series) interview
in Paris Review with Olson printed in the Summer of 1970. Gerald Malanga conducted the interview and
Olson was dead before it went to press. Malanga
writes:
When I awoke a few hours after the all-night conversation, I found
the flat empty. The cool blue sunlight
of morning filtered through all the southern-exposure windows of the flat. In the kitchen on a table cluttered with beer
cans, cigarette and cigar butts, and unanswered correspondence, I found a draft
of a new Olson poem scribbled on the back of an envelope, which read:
To build
out of sound the walls of the city & display in one flower the wunderworld
so that, by such means the unique stand forth clear itself shall be made known.
Malanga steals that scrap and this scene which mixes beer,
cigars, and collecting is irresistible to me.
Like Malanga, I have made that trip to Glouscester. In my case, just to hear the echoes of a
conversation that Malanga described as “a deep and most enchanting experience.” It would be interesting to ask my writer/artist
friends, their list of people they would like to have a beer with. Olson would make my list. With my luck the beers and conversation would
flow long into the evening but my memory tape would slip the reels well before
Olson stopped talking. Usually does.
I wonder what beer was available at Ma Peak’s Tavern down by
Black Mountain College. Might be in
Duberman. Michael Rumaker would
know. I cannot remember it, if I
happened to read about it. But definitely
not Kingfisher, which was first brewed in 1978, well after Olson had passed
on. Yet it would be a time machine
moment to go back to Black Mountain in the early 1950s after Olson’s first,
long major work The Kingfisher was written and pull up a chair with a case of
cold Kingfishers and let Olson talk.
JB




MIMEO MIMEO #8: CURATORS' CHOICE features 16 bibliophiles on 6 highlights from their personal or institutional collections. Contributors include Steve Clay, Wendy Burk, Tony White, Brian Cassidy, Thurston Moore, J.A. Lee, Michelle Strizever, Adam Davis, Michael Basinski, Joseph Newland, Alastair Johnston, Tate Shaw, Michael Kasper, Steve Woodall, Molly Schwartzberg, Nancy Kuhl, James Maynard, and the Utah posse (Becky Thomas, Marnie Powers-Torrey, Craig Dworkin, Emily Tipps, Luise Poulton, & David Wolske)
MIMEO MIMEO #7: THE LEWIS WARSH ISSUE is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded Angel Hair Magazine and Books with Anne Waldman in 1966, and went on to co-found United Artists Magazine and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.
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MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
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MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press).
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MIMEO MIMEO #2: features Emily McVarish on her artist's book Flicker; James Maynard on poet Robert Duncan's early experiences as an editor and typesetter; Derek Beaulieu on the relationship between the influential Canadian poetry journal Tish and Black Mountain College; and an extensive interview with Australian poet and typographer Alan Loney conducted by Kyle Schlesinger. Cover is by Emily McVarish.
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