38. THE ORIGIN OF THE WORLD. Brooklyn, NY: Deerhead Records and Ugly Duckling Presse, 2004. 5x5" 2 CD set. Design by Jeremy Mickel. (P)
A two-CD live recording of The Origin of the World (2001). Paper, printed in blue and black on laid cardstock. Music by Sam Hillmer and Christopher Tignor. Recorded at the Parkside Lounge in New York City on March 26th, 2002 as part of The Long Poem Project, a co-production of Deerhead Records and Ugly Duckling Presse. Includes single-sheet insert containing biographical note.
“On March 26, 2002 I read the entire text of The Origin of the World at the Parkside Lounge (on East Houston Street in NYC), accompanied by Sam Hillmer and Christopher Tignor on saxophone and violin. It was part of a long-poem series produced by Elizabeth Reddin, who also produced the double CD for Deerhead Records in conjunction with Ugly Duckling Presse. Jacqueline Waters was the opening reader. The music comes in and fades out and sounds great. It goes on for hours and just keeps getting better. We rehearsed for about a minute, but it didn’t matter. Thanks to Elizabeth, Jacqueline, Daniel Nohejl, Anna Moschovakis, and Matvei Yankelevich for making it happen.” (LW)

MIMEO MIMEO #7: THE LEWIS WARSH ISSUE is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded Angel Hair Magazine and Books with Anne Waldman in 1966, and went on to co-found United Artists Magazine and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.
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MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
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MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press). OOP.
MIMEO MIMEO #2: features Emily McVarish on her artist's book Flicker; James Maynard on poet Robert Duncan's early experiences as an editor and typesetter; Derek Beaulieu on the relationship between the influential Canadian poetry journal Tish and Black Mountain College; and an extensive interview with Australian poet and typographer Alan Loney conducted by Kyle Schlesinger. Cover is by Emily McVarish.
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MIMEO MIMEO #1: features Christopher Harter on Midwest mimeo; Jed Birmingham on British poet and critic Jeff Nuttall's My Own Mag; an extensive interview with acclaimed printer, bibliographer and critic Alastair Johnston of Poltroon Press, and poems by Stephen Vincent inspired by Jack Spicer. Cover is by Alastair Johnston.
The few copies that remain can be purchased via
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