The Poet, The People, The Spirit is a transcript of the lecture Edward Dorn gave on July 21, 1965 at the Berkeley Poetry Conference in anticipation of the publication of The Shoshoneans: The People of the Basin-Plateau (1966), a collaboration with Leroy Lucas. Edited by Bob Rose from an initial transcript by Derryll White. Designed by Dwight Gardiner and Bob Rose for Talon Books (Vancouver, BC, 1976).
Edward Dorn's Interviews (1980) was edited by Donald Allen and published by his Four Seasons Foundation in Bolinas, California, in as Writing 38. Contains The Sullen Art Interview; An Interview with Barry Alpert; An Interview with Roy K. Okada; The Poetic Line; Road-Testing the Language; and The Flint Interview. Cover drawing is by Fielding Dawson.
Views was also edited and published by Allen in 1980, and it includes: Ed Dorn's Views, with Tom Clark; Statement for the Paterson Society; What I See in The Maximus Poems; New York, New York; Nose from Newswhere; The New Frontier; A Cup of Coffee; Two Non-Reviews; The Outcasts of Foker Plat; The Poet, the People, the Spirit; Robert Creeley's Pieces; Of Robert Creeley; Night 65, 300 Nights to Come; Semi Gross: Thoughts on the U.S. Open, 1978; Fear and Clothing at the Blue Note; Dog Eat Dog; The Tower; H20: A Review of Many Waters. The piece on Jimmy Conners vs Bjorn Borg on the first US Open hardcourt tournament is worth the price of admission alone.
One of the most eclectic collections I've encountered--this volume shows the jaggedness of Dorn through the years in a form that lends continuity to three decades of writing in multiple genres. My introduction to Dorn's poetry was The New American Anthology, followed by Slinger, then the novel, interviews, etc. I wonder what kind of impression Way West would make on a reader unfamiliar with Dorn? It includes Early Stories (1963); excerpts from Some Business Recently Transacted in the White World (1971); Recollections of Gran Apacheria (1974); Captain Jack's Chaps/Houston MLA (1981); Rolling Stock Editorials (1983-1991); and concludes with Recent Essays (1985-1993).





MIMEO MIMEO #8: CURATORS' CHOICE features 16 bibliophiles on 6 highlights from their personal or institutional collections. Contributors include Steve Clay, Wendy Burk, Tony White, Brian Cassidy, Thurston Moore, J.A. Lee, Michelle Strizever, Adam Davis, Michael Basinski, Joseph Newland, Alastair Johnston, Tate Shaw, Michael Kasper, Steve Woodall, Molly Schwartzberg, Nancy Kuhl, James Maynard, and the Utah posse (Becky Thomas, Marnie Powers-Torrey, Craig Dworkin, Emily Tipps, Luise Poulton, & David Wolske)
MIMEO MIMEO #7: THE LEWIS WARSH ISSUE is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded Angel Hair Magazine and Books with Anne Waldman in 1966, and went on to co-found United Artists Magazine and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.
OUT OF PRINT
MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
OUT OF PRINT
MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press).
OUT OF PRINT
MIMEO MIMEO #2: features Emily McVarish on her artist's book Flicker; James Maynard on poet Robert Duncan's early experiences as an editor and typesetter; Derek Beaulieu on the relationship between the influential Canadian poetry journal Tish and Black Mountain College; and an extensive interview with Australian poet and typographer Alan Loney conducted by Kyle Schlesinger. Cover is by Emily McVarish.
OUT OF PRINT
0 comments:
Post a Comment