Did you know that Robert Creeley's poem "I Know a
Man" opens Jack Nicholson's debut as director, Drive He Said (1971)?
The file was too large to embed here, but you can watch the whole film on the YouTube at: http://www.youtube.com/watch?v=9JYDw5u-Zw0
On a recent visit to New Mexico, I found this copy of The Whip (Migrant Books, 1957)
printed in Mallorca by Mossèn Alcover in a format very similar to Creeley's own
Divers Press and Black Mountain
Review (also printed by Alcover). This
is the earliest printing of the poem in my library, but not the first.
According to Mary Novik's Robert
Creeley: An Inventory 1945-1970, the poem first appeared in All That Is Lovely in Men (Jargon
Society, 1955) but it's hard to imagine that it wasn't published in a
periodical first. Anyone? Creeley's publication history is fascinating,
particularly in the early years when the little books begin to appear: Le Fou (Golden Goose, 1952); The Kind Of Act Of (Divers Press,
1953); The Immoral Proposition (Jargon
Society, 1953); All That Is Lovely
in Men (Jargon Society, 1955); and If You (The Porpoise Bookshop, 1956). There's a lot of
reprinting in these ambitious years; poems appear and disappear and get
reshuffled in different books that get folded into larger collections leading
up to For Love in 1962. For
those that aren't very concerned with publication histories, this is often
considered the poet's first 'book,' and insofar as major publishers are
concerned, it is. The landmark collection from Scribner's appeared in 1962,
encapsulating most of the poet's first decade of published writing, but it's
worth noting that the poet's first book-book was actually his 11th—that's an
average of a book a year, plus appearances in magazines, etc. by the time he
was 36!
—KS


MIMEO MIMEO #8: CURATORS' CHOICE features 16 bibliophiles on 6 highlights from their personal or institutional collections. Contributors include Steve Clay, Wendy Burk, Tony White, Brian Cassidy, Thurston Moore, J.A. Lee, Michelle Strizever, Adam Davis, Michael Basinski, Joseph Newland, Alastair Johnston, Tate Shaw, Michael Kasper, Steve Woodall, Molly Schwartzberg, Nancy Kuhl, James Maynard, and the Utah posse (Becky Thomas, Marnie Powers-Torrey, Craig Dworkin, Emily Tipps, Luise Poulton, & David Wolske)
MIMEO MIMEO #7: THE LEWIS WARSH ISSUE is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded Angel Hair Magazine and Books with Anne Waldman in 1966, and went on to co-found United Artists Magazine and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.
OUT OF PRINT
MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
OUT OF PRINT
MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press).
OUT OF PRINT
MIMEO MIMEO #2: features Emily McVarish on her artist's book Flicker; James Maynard on poet Robert Duncan's early experiences as an editor and typesetter; Derek Beaulieu on the relationship between the influential Canadian poetry journal Tish and Black Mountain College; and an extensive interview with Australian poet and typographer Alan Loney conducted by Kyle Schlesinger. Cover is by Emily McVarish.
OUT OF PRINT
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