I cooked lobsters for the first time a few nights ago. Surprisingly it was not a scene out of Annie Hall. We steamed them in seawater with seaweed for fourteen minutes. Could be my imagination but I think the seaweed made a difference. We ate them out on the deck before the mosquitoes got too bad. Next morning I took the shells to the Ellsworth Dump and while I was there I stopped at the recycling center to check out their library. Every dump has a library. Nobody, no matter how illiterate, no matter how much they hate to read, wants to throw out a book. People will dump their pets and their children before they will a book. Books have to be one of the first items in history to be recycled. As a result, instead of tossing a book out with the junk mail, newspapers and corrugated paper (the true untouchables of print), people place them on the shelf in the recycling center for other people to read.
That said the dump is a literary graveyard. If a book gets deposited there, it has more than likely served its usefulness. It is unwanted, neglected, truly disposable. In short it is trash, junk, garbage. These are the books nobody reads anymore, the books people are embarrassed to own and do not want to be seen with, the books that should never have been published in the first place.
Looking over the dump’s library I was fascinated by the titles I found there, and I walked over to my car and got out a pen and paper to note them down. What follows are just some of the more interesting and representative titles. These are just some of the dead bodies of literature that inhabit dumping grounds all across the United States. These pieces form an epic multi-part mini-series in the spirit of The Thorn Birds or Sho-Gun. In fact, any mini-series featuring Richard Chamberlain. Chamberlain specialized in recycling trashy novels. He is a true sanitation worker.
JB


MIMEO MIMEO #8: CURATORS' CHOICE features 16 bibliophiles on 6 highlights from their personal or institutional collections. Contributors include Steve Clay, Wendy Burk, Tony White, Brian Cassidy, Thurston Moore, J.A. Lee, Michelle Strizever, Adam Davis, Michael Basinski, Joseph Newland, Alastair Johnston, Tate Shaw, Michael Kasper, Steve Woodall, Molly Schwartzberg, Nancy Kuhl, James Maynard, and the Utah posse (Becky Thomas, Marnie Powers-Torrey, Craig Dworkin, Emily Tipps, Luise Poulton, & David Wolske)
 
MIMEO MIMEO #7: THE LEWIS WARSH ISSUE is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded Angel Hair Magazine and Books with Anne Waldman in 1966, and went on to co-found United Artists Magazine and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.
OUT OF PRINT
MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
OUT OF PRINT
MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press). 
OUT OF PRINT
MIMEO MIMEO #2: features Emily McVarish on her artist's book Flicker; James Maynard on poet Robert Duncan's early experiences as an editor and typesetter; Derek Beaulieu on the relationship between the influential Canadian poetry journal Tish and Black Mountain College; and an extensive interview with Australian poet and typographer Alan Loney conducted by Kyle Schlesinger. Cover is by Emily McVarish.
OUT OF PRINT
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