Over the years, Kyle Schlesinger has become more to me than a brother-in-arms, he has become family. The development of this relationship has been the single most important result of Mimeo Mimeo. Not surpising since little mags are all about establishing such connections. I talk to him more than my own brother, which I am not proud of, but all the same I would have a hard time switching things around. I do not want to turn a brotherly hug into a circle jerk or a reacharound, god knows Kyle's work stands on its own.
That said Poems and Pictures is an essential gathering of the work of the Mimeo Revolution. Looking upon the Mimeo Revolution in terms of art, design and typography is the greatest development in the study of this area since the Clay and Phillips exhibition. Kyle has been at the forefront and is one of the leading spokesman of this area of study. What makes Kyle all the more authorative is that he can actually run a printing press and that he intimately knows the history of print. It is a rare combination, but then again Kyle is part of a rare and dying breed. Unlike Marc Antony I come to praise Kyle not to bury him. Sorry for the eulogy.
After you are done with Poems and Pictures (and you are never finished with it as you refer to it again and again), download a copy of Kyle's The Typography of Robert Creeley. Kyle studied with Creeley at Buffalo and nobody I know has more intimate access into the life and work of Creeley. Kyle's essay is one of the best I have ever read on publishing in the Mimeo Revolution and when I read it what seems ages ago I realized that I knew absolutely nothing about all the magazines I owned. I wrote Kyle a gushing letter and happily he turned that letter into a correspondence and a friendship. It is that spirit of openness and sharing that makes Kyle's critical work special. All the great academics have the same quality. Olson had it; Creeley had it. I was happy to find out that Oliver Harris has it. That is why their work inspires as it teaches. You want to follow in their footsteps; you want to make them proud; any time you have an idea you want to get in contact with them and play that idea out. What is remarkable and special is that they will take you and that idea to place you've never been and are thankful to go.
JB

MIMEO MIMEO #8: CURATORS' CHOICE features 16 bibliophiles on 6 highlights from their personal or institutional collections. Contributors include Steve Clay, Wendy Burk, Tony White, Brian Cassidy, Thurston Moore, J.A. Lee, Michelle Strizever, Adam Davis, Michael Basinski, Joseph Newland, Alastair Johnston, Tate Shaw, Michael Kasper, Steve Woodall, Molly Schwartzberg, Nancy Kuhl, James Maynard, and the Utah posse (Becky Thomas, Marnie Powers-Torrey, Craig Dworkin, Emily Tipps, Luise Poulton, & David Wolske)
MIMEO MIMEO #7: THE LEWIS WARSH ISSUE is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded Angel Hair Magazine and Books with Anne Waldman in 1966, and went on to co-found United Artists Magazine and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.
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MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
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MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press).
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MIMEO MIMEO #2: features Emily McVarish on her artist's book Flicker; James Maynard on poet Robert Duncan's early experiences as an editor and typesetter; Derek Beaulieu on the relationship between the influential Canadian poetry journal Tish and Black Mountain College; and an extensive interview with Australian poet and typographer Alan Loney conducted by Kyle Schlesinger. Cover is by Emily McVarish.
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