I do not consider it that insightful to consider and dismiss religion as garbage. That would be the easy way to approach the presence of the Noss boys' and Smith's histories of religion at the dump. A collection of trash that has poisoned minds all over the world. I could also take a cheap shot and suggest that the books represent religion hanging around the gutter prostituting itself, but I prefer to thing that they are merely proselytizing amongst the fallen.
It is much more fruitful to think about religions as junk in a Marxist and Burroughsian sense. It is no mistake that books on religion rest side by side with books on sex and alcohol addiction. Both habits (it should be noted that The Nun by Margaret Trouncer and Convent Life by Joan M. Lexan were also serving God at the dump) fill a dire need for love and for easing pain, doubt, and suffering.
If one thinks about religion as a drug, the figure of Huston Smith is a very interesting one. He came to religion not because it provided the right Answer, but because religion asked and allowed one to pursue the Big Questions. Smith is The Seeker a la The Who and by that I mean, quite literally, that song could have been about Smith. Take the line: "I asked Timothy Leary, and he could not help me either." As detailed in Don Lattin's fascinating and entertaining, The Harvard Psychedelic Club: How Timothy Leary, Ram Dass, Huston Smith, and Andrew Weil Killed the Fifties and Ushered in a New Age for America, Smith, while Head of Philosophy at MIT, immersed himself in LSD experimentation in an attempt to expand his consciousness and have a religious experience. Leary's tests with psychedelic drugs quickly shifted from those of a scholarly nature to those of the Ken Kesey variety, but many of the early experiments involved safeguards like placebos and actual documentation in order to explore the religious nature of the drugs and to determine whether they provided a true spiritual awakening. In that regard Smith wrote, among other books, Cleansing the Doors of Perception: The Religious Significance of Entheogenic Plants and Chemicals.
I like to think that Smith is at the dump as a mycologist rather than as a scholar of religion. Smith's open mind and thirst for knowledge and experience demonstrate a mind, body and spirit that are young and alive. Smith is still seeking; he is 93 years old.
JB


MIMEO MIMEO #8: CURATORS' CHOICE features 16 bibliophiles on 6 highlights from their personal or institutional collections. Contributors include Steve Clay, Wendy Burk, Tony White, Brian Cassidy, Thurston Moore, J.A. Lee, Michelle Strizever, Adam Davis, Michael Basinski, Joseph Newland, Alastair Johnston, Tate Shaw, Michael Kasper, Steve Woodall, Molly Schwartzberg, Nancy Kuhl, James Maynard, and the Utah posse (Becky Thomas, Marnie Powers-Torrey, Craig Dworkin, Emily Tipps, Luise Poulton, & David Wolske)
MIMEO MIMEO #7: THE LEWIS WARSH ISSUE is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded Angel Hair Magazine and Books with Anne Waldman in 1966, and went on to co-found United Artists Magazine and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.
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MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
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MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press).
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MIMEO MIMEO #2: features Emily McVarish on her artist's book Flicker; James Maynard on poet Robert Duncan's early experiences as an editor and typesetter; Derek Beaulieu on the relationship between the influential Canadian poetry journal Tish and Black Mountain College; and an extensive interview with Australian poet and typographer Alan Loney conducted by Kyle Schlesinger. Cover is by Emily McVarish.
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