I am currently reading Matthew Kirschenbaum's Mechanisms: New Media and the Forensic Imagination. A fascinating book that draws on the work of Jerome McGann in Black Riders and elsewhere and applies it to new media and electronic writing.
Jason Davis sent me this image from Matt Schulman's Do It!, a mimeo published out of Cleveland in 1967. I take it Schulman moved to Cleveland in that years as issues one and two were published out of Omaha. I do not know much about Do It! at all. It did not make the cut in Christopher Harter's index. Jason has a the first two issues listed on his da levy checklist.
The poem above is an example of computer generated poetry from Do It!, in this case an IBM computer was programmed to produce a poem given a bank of words and a set structure, quatrains of 7-7-7-3.
I was struck that the poem came out of Philadelpha as the other computer generated poems I have seen in a little magazine were in Insect Trust Gazette, which was headquartered in Philadelphia in 1964 and 1965. The computer poems were done by Lenny Belasco under the anagram Conral A. Belano. This poem appears in the context of concrete and visual poetry along with proto-Language poetry such as Clark Coolidge's The Bond Sonnets.
Here is an early interview I did with Jed Irwin of Insect Trust Gazette for some background on that mag. See http://realitystudio.org/bibliographic-bunker/bunker-interviews/jed-irwin-on-the-insect-trust-gazette/
I would appreciate similar information on Do It! if anybody has it.
I wonder if there was a computer poetry scene of some type in Philly at the time. Maybe somebody can shed some light on that as well.
JB
MIMEO MIMEO #8: CURATORS' CHOICE features 16 bibliophiles on 6 highlights from their personal or institutional collections. Contributors include Steve Clay, Wendy Burk, Tony White, Brian Cassidy, Thurston Moore, J.A. Lee, Michelle Strizever, Adam Davis, Michael Basinski, Joseph Newland, Alastair Johnston, Tate Shaw, Michael Kasper, Steve Woodall, Molly Schwartzberg, Nancy Kuhl, James Maynard, and the Utah posse (Becky Thomas, Marnie Powers-Torrey, Craig Dworkin, Emily Tipps, Luise Poulton, & David Wolske)
MIMEO MIMEO #7: THE LEWIS WARSH ISSUE is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded Angel Hair Magazine and Books with Anne Waldman in 1966, and went on to co-found United Artists Magazine and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.
OUT OF PRINT
MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
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MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press).
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MIMEO MIMEO #2: features Emily McVarish on her artist's book Flicker; James Maynard on poet Robert Duncan's early experiences as an editor and typesetter; Derek Beaulieu on the relationship between the influential Canadian poetry journal Tish and Black Mountain College; and an extensive interview with Australian poet and typographer Alan Loney conducted by Kyle Schlesinger. Cover is by Emily McVarish.
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