
In the last two days, I have gotten several emails alerting me to an article in the New York Times about the David Kammerer murder by Lucien Carr. All these alerts were sent via email with links to the internet version of the article in the New York Times.
This is all well and good. But there is something to be said about the physical newspaper. Now I am not going to lie, I only read the newspaper when somebody leaves it behind on the MARC train or on the Metro. It turns out that tonight the Lucien Carr article was on the train. And thank godness, as it was an experience to read this edition of the paper.
The Friday April 6, 2012 edition of the Weekend Arts - Fine Arts and Leisure section features a great article on Rembrant, which mentions his mistress Hendrickje Stoffels. So we constrast Rembrandt's "whore" with the dead wife of an Anne Tyler novel, The Beginner's Goodbye. To say nothing of Joan Vollmer, the murdered wife of William Burroughs, lurking behind the Lucien Carr story. And then let's go to the bottom of the page, with the ad for the In the Company of Animals exhibit at the Morgan Library. The featured painting is Jacob Hoefnagel's Orpheus Charming the Animals. We descend to the underworld with Orpheus and Eurydice amongst a page depicting a number of other doomed relationships.
And then there is the kicker. In the small print, it is revealed that the Hoefnagel painting was donated to the Morgan by Sunny Crawford von Bulow in 1978. Two years later Sunny would lapse into a coma and remain so for 28 years. The resulting murder trial involving her husband Claus would captivate the nation and Hollywood.
This is the power of the printed newspaper. All the emailed links would never generate all the connections and associations made possible by the physical newspaper. What a vibrant entity. This was a newpaper left behind and forgetten in a MARC train. This is a newspaper declared dead or dying by pundits everywhere. There is life in the old girl yet. Unlike Orpheus, to give the newspaper another look is not a bad thing.
JB
MIMEO MIMEO #8: CURATORS' CHOICE features 16 bibliophiles on 6 highlights from their personal or institutional collections. Contributors include Steve Clay, Wendy Burk, Tony White, Brian Cassidy, Thurston Moore, J.A. Lee, Michelle Strizever, Adam Davis, Michael Basinski, Joseph Newland, Alastair Johnston, Tate Shaw, Michael Kasper, Steve Woodall, Molly Schwartzberg, Nancy Kuhl, James Maynard, and the Utah posse (Becky Thomas, Marnie Powers-Torrey, Craig Dworkin, Emily Tipps, Luise Poulton, & David Wolske)
MIMEO MIMEO #7: THE LEWIS WARSH ISSUE is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded Angel Hair Magazine and Books with Anne Waldman in 1966, and went on to co-found United Artists Magazine and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.
OUT OF PRINT
MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
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MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press).
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MIMEO MIMEO #2: features Emily McVarish on her artist's book Flicker; James Maynard on poet Robert Duncan's early experiences as an editor and typesetter; Derek Beaulieu on the relationship between the influential Canadian poetry journal Tish and Black Mountain College; and an extensive interview with Australian poet and typographer Alan Loney conducted by Kyle Schlesinger. Cover is by Emily McVarish.
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