
Digging through used bookstores, I always keep a look out for books that covered aspects of the Mimeo Revolution when it was a current event. Jeff Nuttall's Bomb Culture is a good one of course. There are many more books on the Underground Newspaper as opposed to the little magazines and Roger Lewis' Outlaws of America and Robert Glessing's The Underground Press in America are two examples.What I like about these books in contrast with a more recent take, like Smoking Typewriters, is that they are not afraid to provide tons of information about the logistics and economics of printing and distributions. Glessing (more than Lewis) provides some great details on what it actually cost to put out an underground paper in terms of supplies, manpower, and printing as well as the money to be made (or not) on distribution. For example, leasing of IBM Selectric typesetting equipment was about $150 per month whereas a new Linotype or Intertype machine for letterpress was $20,000 installed. Or Glessing explaining that a four-unit web-fed offset press was $20,000 a unit or about $100,000 to get up and running. The sunk costs made it necessary for small printers to actively search out jobs to fill downtime and these printers were willing in some cases, like Ed Sanders, to print anything. It is interesting to know that the Los Angeles Free Press was started with $15 in capital and quickly grew from four pages to 48 with weekly subscriptions of 95,000 and expenditures of $15,000. Or how about that East Village Other paid full time staffers $45 a week, but the Helix in Seattle provided food and lodging? Classified sex ads, which were indispensible for underground papers, brought in $6 per inch, and the Dwarfe, an underground paper in Phoenix, charged $100 for a full page ad for a circulation of $10,000.
Contemporary accounts, be they books or news articles, are full of this type of information and incredibly important for understanding the nuts and bolts and day to day activities of countercultural publishing. Like I said such information is more common for the Underground Press as opposed to the Mimeo Revolution, but that said spending some time digging around in contemporary sources definitely will paid some dividends in understanding the economics of counterculture printing.
JB
MIMEO MIMEO #8: CURATORS' CHOICE features 16 bibliophiles on 6 highlights from their personal or institutional collections. Contributors include Steve Clay, Wendy Burk, Tony White, Brian Cassidy, Thurston Moore, J.A. Lee, Michelle Strizever, Adam Davis, Michael Basinski, Joseph Newland, Alastair Johnston, Tate Shaw, Michael Kasper, Steve Woodall, Molly Schwartzberg, Nancy Kuhl, James Maynard, and the Utah posse (Becky Thomas, Marnie Powers-Torrey, Craig Dworkin, Emily Tipps, Luise Poulton, & David Wolske)
MIMEO MIMEO #7: THE LEWIS WARSH ISSUE is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded Angel Hair Magazine and Books with Anne Waldman in 1966, and went on to co-found United Artists Magazine and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.
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MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
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MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press).
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MIMEO MIMEO #2: features Emily McVarish on her artist's book Flicker; James Maynard on poet Robert Duncan's early experiences as an editor and typesetter; Derek Beaulieu on the relationship between the influential Canadian poetry journal Tish and Black Mountain College; and an extensive interview with Australian poet and typographer Alan Loney conducted by Kyle Schlesinger. Cover is by Emily McVarish.
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