A Calendar, published in 1984, includes twelve poems by Robert Creeley, each titled (The Door; Hearts; March Moon; ‘Whan That Aprille...’; Whatt’s May; Summer Nights; ‘By the Rude Bridge...’; Vacation’s End; Helen’s House; Old Days; The Tally; Memory) and arranged to correspond to one month of the year. This oblong book is printed on the recto only. Handset in Spectrum and printed on Simpson’s Gainsborough Text, this is copy number two in an edition of six hundred signed by the poet. The image on the title page is by Ann Mikolowski of the Alternative Press. I’m not certain what the Morning Coffee Chapbook series was all about (this is number five in the series), but it appears to be in imprint of the Coffee House Press, which was formerly Toothpaste. I also have Ron Padgett's and Trevor Winkfield's How To Be Modern Art, which was number seven in the series. Certainly designed by Allan Kornblum and printed in West Branch, Iowa, my guess is that this series connects Kornblum’s two imprints. He said in an interview:
Partly under [Harry] Duncan’s influence and partly of my own interest and volition, I began to learn the history of the craft of books and printing, bought a press and a house in West Branch, Iowa, and under the imprint of Toothpaste Press, began publishing exclusively letterpress books and pamphlets of poetry on a full-time basis in 1973. We published our last Toothpaste title, Anne Waldman’s Make-Up on Empty Space, in December 1983, and re-opened as Coffee House Press in 1984.
I have a memory of seeing another calendar by Creeley in the Poetry Collection at the University at Buffalo years ago, one that could literally hang on the wall. Was it spiral-bound? And if I recall correctly, their copy was actually used, with appointments and such written in pencil, which had been partially erased. Practical art.
This copy of A Calendar came from the Spoonbill and Sugartown warehouse in Williamsburg. I had traded in several boxes of books and had a store credit. I found a lot of interesting poetry listed on their website that wasn’t in their store, so I asked the owner if the items had already sold. He explained that many of their rare books, some cataloged, others in-waiting, were a few blocks away. We spent a few hours there sorting through the stacks and there were a lot of interesting discoveries. I was happy to explain the significance and relationships between some of the poets in the inscriptions of various title pages, etc. Certainly one of Brooklyn’s finest bookstores.
—KS

MIMEO MIMEO #8: CURATORS' CHOICE features 16 bibliophiles on 6 highlights from their personal or institutional collections. Contributors include Steve Clay, Wendy Burk, Tony White, Brian Cassidy, Thurston Moore, J.A. Lee, Michelle Strizever, Adam Davis, Michael Basinski, Joseph Newland, Alastair Johnston, Tate Shaw, Michael Kasper, Steve Woodall, Molly Schwartzberg, Nancy Kuhl, James Maynard, and the Utah posse (Becky Thomas, Marnie Powers-Torrey, Craig Dworkin, Emily Tipps, Luise Poulton, & David Wolske)
MIMEO MIMEO #7: THE LEWIS WARSH ISSUE is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded Angel Hair Magazine and Books with Anne Waldman in 1966, and went on to co-found United Artists Magazine and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.
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MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
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MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press).
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MIMEO MIMEO #2: features Emily McVarish on her artist's book Flicker; James Maynard on poet Robert Duncan's early experiences as an editor and typesetter; Derek Beaulieu on the relationship between the influential Canadian poetry journal Tish and Black Mountain College; and an extensive interview with Australian poet and typographer Alan Loney conducted by Kyle Schlesinger. Cover is by Emily McVarish.
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