I've written a bit about Robert Creeley's The Charm on the Cuneiform blog in the past. I should note that this handsome book from Walter Hamady's Perishable Press Ltd. was published in 1964, followed by Divisions & other early poems in 1967. The Charm is a collection of uncollected poems from the beginning of Creeley's publishing history, and Divisions is a short collection of poems that were overlooked when The Charm was edited. These two books were later combined in a trade edition issued by Donald Allen's Four Seasons Foundation in 1969, and Calder & Boyers later published a similar version in the UK in 1971. When I bought my copy of The Charm there were very few available, but there now seems to be no shortage and the price has dropped significantly. Same goes for Divisions, tho that appears to remain scarce. But the rarest, perhaps of any Creeley edition, is Words which was certainly one of Hamady's earliest books. Robert Runser was a friend and teacher of Hamady, who let him use his press in Michigan to print an edition limited to 30. As I recall, this was a year or two before Hamady moved to Wisconsin and set up shop. I obtained a photocopy of Words (not to be confused with the trade edition of the same name issued by Scribner's in 1967) from the Detroit Public Library some years ago—no idea where that is now, but I think it was set in Caslon old style. One copy currently listed online for 4k.
—KS

MIMEO MIMEO #8: CURATORS' CHOICE features 16 bibliophiles on 6 highlights from their personal or institutional collections. Contributors include Steve Clay, Wendy Burk, Tony White, Brian Cassidy, Thurston Moore, J.A. Lee, Michelle Strizever, Adam Davis, Michael Basinski, Joseph Newland, Alastair Johnston, Tate Shaw, Michael Kasper, Steve Woodall, Molly Schwartzberg, Nancy Kuhl, James Maynard, and the Utah posse (Becky Thomas, Marnie Powers-Torrey, Craig Dworkin, Emily Tipps, Luise Poulton, & David Wolske)
MIMEO MIMEO #7: THE LEWIS WARSH ISSUE is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded Angel Hair Magazine and Books with Anne Waldman in 1966, and went on to co-found United Artists Magazine and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.
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MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
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MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press).
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MIMEO MIMEO #2: features Emily McVarish on her artist's book Flicker; James Maynard on poet Robert Duncan's early experiences as an editor and typesetter; Derek Beaulieu on the relationship between the influential Canadian poetry journal Tish and Black Mountain College; and an extensive interview with Australian poet and typographer Alan Loney conducted by Kyle Schlesinger. Cover is by Emily McVarish.
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