



I just finished reading Underground Classics: The Transformation of Comics to Comix 1963-1990, which was released in connection with an exhibition at Chazen Museum of Art in Madison, Wisconsin a year ago. See http://www.chazen.wisc.edu/Exhibitions/PressRelease.asp?PID=141&date=May%202%20to%20July%2012,%202009&loc=Brittingham%20Galleries%20VI%20&%20VII. The Underground Comix did not spring fully formed from the mind of R. Crumb in Zap Comix in 1967. As this exhibition makes clear there is a comics and art tradition upon which underground comix artists drew from and rebelled against.
Underground Classics mentions Mad, Dada, God's Nose, The Realist, Goya, Tijuana Bibles, pulp men's mags and books, E.C. and DC Comics, Disney, Pop Art, Abstract Expressionism. The list of influences and precursors is endless.
But what about the little magazines of the Mimeograph Revoultion. There is mention of the underground newspaper but little if anything about the little magazine. Underground Classics states that Charles Plymell printed the first issue of Zap, but there is nothing that links Plymell to his other publishing efforts like Now, The Last Times, Coldspring Journal, or Cherry Valley Editions in general.
In Numbers: Serial Publications by Artists, for its entry on C Comics, suggests that New York School of artists and poets working in mimeo were at the ground floor for the underground comix movement. Let me throw Jeff Nuttall into the pot as well. My Own Mag featured a comix in every issue, entitled Perfume Jack, as well as numerous other comix by Nuttall. The cover of the British Issue of My Own Mag above would fit right in with the work on display at the University of Wisconsin - Madison. Interestingly, the first organized exhibition of underground comix happened at Peace Eye Bookstore in 1968, the Avenue A location. Spain Rodriguez of Trashman fame designed the storefront.
I am surprised that the curators at Wisconsin did not make this link more apparent (maybe mimeo mags like C Comics, Fuck You, My Own Mag were at the exhibition); the Madison library has extensive holdings in little magazines and mimeo, in fact the little magazine collection is one of the library's strengths with over 7000 titles: see http://memorial.library.wisc.edu/collections/littlemags.html. When I went to the University of Buffalo last year, which also has a little magazine collection as its core, there was a Spain Rodriguez exhibit in the Special Collections room. The connection is there and should be made. The little mags and underground comix were twin soldiers in the literary and artistic revolutions of the post -WWII era.
JB
JB
MIMEO MIMEO #8: CURATORS' CHOICE features 16 bibliophiles on 6 highlights from their personal or institutional collections. Contributors include Steve Clay, Wendy Burk, Tony White, Brian Cassidy, Thurston Moore, J.A. Lee, Michelle Strizever, Adam Davis, Michael Basinski, Joseph Newland, Alastair Johnston, Tate Shaw, Michael Kasper, Steve Woodall, Molly Schwartzberg, Nancy Kuhl, James Maynard, and the Utah posse (Becky Thomas, Marnie Powers-Torrey, Craig Dworkin, Emily Tipps, Luise Poulton, & David Wolske)
MIMEO MIMEO #7: THE LEWIS WARSH ISSUE is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded Angel Hair Magazine and Books with Anne Waldman in 1966, and went on to co-found United Artists Magazine and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.
OUT OF PRINT
MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
OUT OF PRINT
MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press).
OUT OF PRINT
MIMEO MIMEO #2: features Emily McVarish on her artist's book Flicker; James Maynard on poet Robert Duncan's early experiences as an editor and typesetter; Derek Beaulieu on the relationship between the influential Canadian poetry journal Tish and Black Mountain College; and an extensive interview with Australian poet and typographer Alan Loney conducted by Kyle Schlesinger. Cover is by Emily McVarish.
OUT OF PRINT
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