















Mithrander was a one-shot edited by Tony Sherrod in 1963 in San Francisco. Once again Graham Mackintosh did the printing honors. He also provided the cover art. There is not much information on Sherrod. He lurks in the footnotes of Poet Be Like God. Hailing from Knoxville, Tennesse, he moved to San Francisco and hung on the edge of the Spicer Circle. He was one of the two Tonys, the other being Tony Ashe, who Spicer grew infatuated with. Spicer called grouped the two Tonys as the Jets, named after the gang in West Side Story. They both appear in The Holy Grail and in a Spicer poem in The Capitalist Bloodsucker: N, a magazine by George Stanley.Sherrod was married and Lew Ellingham and Helen Adam were the godfather/godmother of his child. Mithrander (called Mythrander in Poet Be Like God) was largely created to showcase Ellingham whose essay dominates the magazine. Like Sherrod, Mithrander is a sidelight to the mimeo scene that developed around Spicer. He was labelled as too lightweight to be considered seriously in that scene and his magazine has that same feel. Despite the appearance of a poet like Philip Whalen, both magazine and editor are ephemeral.
As for the magazine's name, I would guess that it is a misspelling of Mithrandir, Gandalf's name in J.R.R. Tolkien's invented language of Sindarin. I could be wrong. The name means "Grey Pilgrim". Sherrod himself is shadowy, ghost-like, leaving only a slight trace, of which Mithrandir is one, on the literary history of San Francisco. The reference to Lord of the Rings ties in with the mystical nature of Spicer, Duncan and Blaser. According to Jonathan Williams, Duncan enjoyed Tolkien, but I would guess that those poets preferred headier material like Dante and more obscure sources. Am I right in thinking that Lord of the Rings was too low-brow, too popular, too lightweight for the elite of the Spicer Circle? The fodder of hippies. Spicer mentions Tolkien in his first Vancouver lecture Dictation and "A Textbook of Poetry," so I could be wrong.
JB
JB
MIMEO MIMEO #8: CURATORS' CHOICE features 16 bibliophiles on 6 highlights from their personal or institutional collections. Contributors include Steve Clay, Wendy Burk, Tony White, Brian Cassidy, Thurston Moore, J.A. Lee, Michelle Strizever, Adam Davis, Michael Basinski, Joseph Newland, Alastair Johnston, Tate Shaw, Michael Kasper, Steve Woodall, Molly Schwartzberg, Nancy Kuhl, James Maynard, and the Utah posse (Becky Thomas, Marnie Powers-Torrey, Craig Dworkin, Emily Tipps, Luise Poulton, & David Wolske)
MIMEO MIMEO #7: THE LEWIS WARSH ISSUE is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded Angel Hair Magazine and Books with Anne Waldman in 1966, and went on to co-found United Artists Magazine and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.
OUT OF PRINT
MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
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MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press).
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MIMEO MIMEO #2: features Emily McVarish on her artist's book Flicker; James Maynard on poet Robert Duncan's early experiences as an editor and typesetter; Derek Beaulieu on the relationship between the influential Canadian poetry journal Tish and Black Mountain College; and an extensive interview with Australian poet and typographer Alan Loney conducted by Kyle Schlesinger. Cover is by Emily McVarish.
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