

Before Manroot 10 (1974/1975), the Black Sparrow Collected Spicer (1975), and Boundary 2 (1977), there was Caterpillar 12, edited by Clayton Eshelman, in July 1970.
Speaking for my own personal knowledge of Spicer publications, there is only static from 1977 to 1998.
In 1998, The House that Jack Built and Poet Be Like God were published.
Then in April 1999 came the Jack Spicer Issue of Jacket Magazine on http://www.jacketmagazine.com/.
Finally in  November 2008, The Collected Poems of Jack Spicer was published by Wesleyan University Press.
About five years ago, I read Caterpillar 12, then quickly followed up with the issue of Jacket, Poet Be Like God, and The House That Jack Built.  In 2009, I read My Vocabulary Did This To Me and boundary 2.
The year ended by acquiring and, in a manner of speaking, re-reading Billy The Kid (1959), The Holy Grail (1962), Language (1965), and Book of Magazine Verse (1966).  But like my recently acquired copy of Dear Ferlinghetti (1964), I read them all for the first time.
I have been wondering lately how I got from there to here, and, more importantly, how did Spicer.
JB

MIMEO MIMEO #8: CURATORS' CHOICE features 16 bibliophiles on 6 highlights from their personal or institutional collections. Contributors include Steve Clay, Wendy Burk, Tony White, Brian Cassidy, Thurston Moore, J.A. Lee, Michelle Strizever, Adam Davis, Michael Basinski, Joseph Newland, Alastair Johnston, Tate Shaw, Michael Kasper, Steve Woodall, Molly Schwartzberg, Nancy Kuhl, James Maynard, and the Utah posse (Becky Thomas, Marnie Powers-Torrey, Craig Dworkin, Emily Tipps, Luise Poulton, & David Wolske)
 
MIMEO MIMEO #7: THE LEWIS WARSH ISSUE is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded Angel Hair Magazine and Books with Anne Waldman in 1966, and went on to co-found United Artists Magazine and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.
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MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
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MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press). 
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MIMEO MIMEO #2: features Emily McVarish on her artist's book Flicker; James Maynard on poet Robert Duncan's early experiences as an editor and typesetter; Derek Beaulieu on the relationship between the influential Canadian poetry journal Tish and Black Mountain College; and an extensive interview with Australian poet and typographer Alan Loney conducted by Kyle Schlesinger. Cover is by Emily McVarish.
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1 comments:
Yeah, me too.
From there
To hear, I mean
to here. And yes,
more importantly,
how did Spicer.
I wd guess for me sometime early seventies,
probably by Ron Schreiber at UMass/Boston
where he was co-teaching a course in visionary
lit to clueless undergraduates. Somehow Spicer was mentioned, but only just - probably
his Martians to Yeat's spooks, I forget...and then never returned to in class for some reason,- but the name stuck somehow; Ron had, of course, that same year contributed to The Spicer Issue of Manroot, but I never knew it until a couple three years later when a copy of it found its way into my hands after I had already acquired The Black Sparrow Collected;
The Holy Grail for all-things-Spicerian for years...
The earlier Caterpillar 12 had not yet crept into my hands until even later when I started collecting caterpillars; too young, too stupid to buy them in late sixties and seventies as they appeared. Still don't own the entire run...
But don't forget Two for Jack Spicer
by Stephen Jonas, also from ManRoot
in 1974. A beautiful fold-out post-
humous chapbook: " CANTE JONDO FOR
SOUL BROTHER JACK SPICER, HIS BELOVED
CALIFORNIA & ANDALUSIA OF LORCA "
But yr're right again. From like '77
to '98 there was nothing..
just static emanating from Jack's,
or was it Berman's
or Cocteau
's radio.
Later,
John
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