One of the first rare books I ever bought was a Frontier Press title: Ed Sanders' Peace Eye. For years I thought it was a Fuck You Press title, given that it was by Sanders and it was a mimeo. Wrong again. No doubt, Charles Olson suggested to Harvey Brown to publish his protege Sanders. The feel and look of this publication is much more Fuck You than Frontier. One of the calling cards of Frontier Press was high production values and design. Peace Eye is mimeo all the way. I wonder if Sanders' printed it and then Brown issued it as a Frontier title.
What caught my eye in the Antic Hay Booksellers catalog about the title above was that it was inscribed by Sanders to Philip Whalen: "With tender squirts." Love that inscription. Whalen was spewing out great poetry in the mid-1960s almost all (if not all) published by mimeos and small press. There are some visual similarities between Whalen's calligraphy poems and Sanders glyph poems of the period as both build off of Olson's composition by field concepts first forwarded in Projective Verse, which themselves go back to Pound's work with Chinese characters and open forms.
Brown took Olson and thus Pound as his foundation. Brown printed Cantos CX and CXVI in the third and last issue of Niagara Frontier Review in 1966. Sanders followed that up by publishing Cantos CX-CXVI in a bootleg on Fuck You Press in 1967. More on Fuck You's Cantos at a later date.
JB

MIMEO MIMEO #8: CURATORS' CHOICE features 16 bibliophiles on 6 highlights from their personal or institutional collections. Contributors include Steve Clay, Wendy Burk, Tony White, Brian Cassidy, Thurston Moore, J.A. Lee, Michelle Strizever, Adam Davis, Michael Basinski, Joseph Newland, Alastair Johnston, Tate Shaw, Michael Kasper, Steve Woodall, Molly Schwartzberg, Nancy Kuhl, James Maynard, and the Utah posse (Becky Thomas, Marnie Powers-Torrey, Craig Dworkin, Emily Tipps, Luise Poulton, & David Wolske)
MIMEO MIMEO #7: THE LEWIS WARSH ISSUE is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded Angel Hair Magazine and Books with Anne Waldman in 1966, and went on to co-found United Artists Magazine and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.
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MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
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MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press).
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MIMEO MIMEO #2: features Emily McVarish on her artist's book Flicker; James Maynard on poet Robert Duncan's early experiences as an editor and typesetter; Derek Beaulieu on the relationship between the influential Canadian poetry journal Tish and Black Mountain College; and an extensive interview with Australian poet and typographer Alan Loney conducted by Kyle Schlesinger. Cover is by Emily McVarish.
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