
I have often considered collecting every single issue of Floating Bear with a mailing label. Duplicates be damned. Looking over my nearly complete set, I find myself fixated on the postal information on the front as much as the writing inside. This isn’t as strange as it might sound. Mimeo is all about communication and community. That is why so many mimeos are self-described as newsletters.
It would be interesting to compile a database complete with mapping and graphing capabilities that tracked the who and where of the Floating Bear mailing list. Take for example this copy of Floating Bear #24. This particular issue which contains writing by William Burroughs and Paul Metcalf (on Charles Olson) was sent to Dan Rice in New York City. Rice attended Black Mountain College in the 1950s and migrated up to New York to pursue his art. The mailing label captures the exodus of Black Mountain alumni into New York City that provided the foundation for the literary and artistic community of the Lower East Side. I am thinking of Joel Oppenheimer here. Interestingly, Naked Lunch first appeared in Black Mountain Review and Metcalf on Olson, the mind and heart of Black Mountain, would hold much appeal to Rice.
Couple that with Leroi Jones’ circle which gathered at Jones’ and his wife, Hettie’s apartment and this issue of Floating Bear provides an vibrant slice of the poetry and art scene of the early 1960s, particularly in New York. Looking more closely at this and other issues of Floating Bear would no doubt uncover many more connections.
JB
MIMEO MIMEO #8: CURATORS' CHOICE features 16 bibliophiles on 6 highlights from their personal or institutional collections. Contributors include Steve Clay, Wendy Burk, Tony White, Brian Cassidy, Thurston Moore, J.A. Lee, Michelle Strizever, Adam Davis, Michael Basinski, Joseph Newland, Alastair Johnston, Tate Shaw, Michael Kasper, Steve Woodall, Molly Schwartzberg, Nancy Kuhl, James Maynard, and the Utah posse (Becky Thomas, Marnie Powers-Torrey, Craig Dworkin, Emily Tipps, Luise Poulton, & David Wolske)
MIMEO MIMEO #7: THE LEWIS WARSH ISSUE is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded Angel Hair Magazine and Books with Anne Waldman in 1966, and went on to co-found United Artists Magazine and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.
OUT OF PRINT
MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
OUT OF PRINT
MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press).
OUT OF PRINT
MIMEO MIMEO #2: features Emily McVarish on her artist's book Flicker; James Maynard on poet Robert Duncan's early experiences as an editor and typesetter; Derek Beaulieu on the relationship between the influential Canadian poetry journal Tish and Black Mountain College; and an extensive interview with Australian poet and typographer Alan Loney conducted by Kyle Schlesinger. Cover is by Emily McVarish.
OUT OF PRINT
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