From Floating Bear 17:
Paul Taylor – A History
What has happened?
Once there was Dance Associates, they performed at the
Master Institute. Paul Taylor was a
Dance Associate, so was James Waring.
Mr. Taylor danced The Least Flycatcher and Three
Epitaphs and others. Then Dance
Associates disintegrated. Mr. Taylor
gave a concert with two beautiful dances, one to a tape of “at the tone, the
time will be –“ and another of rain.
Then other concerts in which nothing happened. And now this latest one.
Mr. Taylor made dances because he loved making them – he loved
to dance them.
Love is ultimately beautiful.
Love is interesting.
Love is exciting
It was lovely to watch Paul Taylor.
Paul Taylor is not exciting.
Paul Taylor is not interesting.
Paul Taylor is not ultimately beautiful.
It is hard to watch Paul Taylor working at his job.
A job is not interesting or beautiful or exciting.
Fred Herko
From Floating Bear #19
Dear Floating Bear,
Fred Herko’s review of Paul Taylor says: “Love is ultimately beautiful. Love is interesting. Love is exciting . . . Mr. Taylor is not
exciting. Mr. Taylor is not interesting. Mr Taylor is not ultimately beautiful.” Herko is judging Taylor by an idea. This idea – the idea of love and art and The
Unsoiled Life – is shit. If Taylor fails
by that, he’s doing fine. Herko had
better watch his language.
Edwin Denby
From Floating Bear #30
Dear Fl. Bear,
May I point out to Mr. Denby that it’s impossible to judge
anything except by means of ideas. He
has misunderstood Mr. Herko’s idea – which, it seems to me, was that art is not
interesting unless it is motivated by love – to give, and to share experience.
James Waring
Dear Leroy and Diana
Regarding the Paul Taylor History
I think it’s terrible that your magazine should support this
kind of thing. I get upset every time I
think of Mr. Herko cowardly hiding behind the soft-headed love dialectics –
Stupidity, cowardice or viciousness – there is no excuse for that article.
Sincerely,
Alex Katz
JB
MIMEO MIMEO #8: CURATORS' CHOICE features 16 bibliophiles on 6 highlights from their personal or institutional collections. Contributors include Steve Clay, Wendy Burk, Tony White, Brian Cassidy, Thurston Moore, J.A. Lee, Michelle Strizever, Adam Davis, Michael Basinski, Joseph Newland, Alastair Johnston, Tate Shaw, Michael Kasper, Steve Woodall, Molly Schwartzberg, Nancy Kuhl, James Maynard, and the Utah posse (Becky Thomas, Marnie Powers-Torrey, Craig Dworkin, Emily Tipps, Luise Poulton, & David Wolske)
MIMEO MIMEO #7: THE LEWIS WARSH ISSUE is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded Angel Hair Magazine and Books with Anne Waldman in 1966, and went on to co-found United Artists Magazine and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.
OUT OF PRINT
MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
OUT OF PRINT
MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press).
OUT OF PRINT
MIMEO MIMEO #2: features Emily McVarish on her artist's book Flicker; James Maynard on poet Robert Duncan's early experiences as an editor and typesetter; Derek Beaulieu on the relationship between the influential Canadian poetry journal Tish and Black Mountain College; and an extensive interview with Australian poet and typographer Alan Loney conducted by Kyle Schlesinger. Cover is by Emily McVarish.
OUT OF PRINT
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