Last year it was books at the Ellsworth Dump but it seems
that this summer I am drinking, not book scouting, in the gutter. My brother-in-law sent me a link to a list
ranking 36 cheap beers, which is just about all I drink nowadays. In this economy!! Although interest rates are going up so I
guess I will have to invest in something better than Icehouse (a tenement of a
beer if there ever was one). Here is a
link to the list http://deadspin.com/36-cheap-american-beers-ranked-638820035. Let the debate begin, I guess. The best part about the article is the
comments. Way too many people treat
Yuengling like holy water. The lager is
complete shit. I would drink the porter,
the black and tan, the premium and, best of all, the Lord Chesterfield Ale way
before I would choke down a Yuengling Lager.
Back in the day you would head over to the Northeast Taproom in Reading
PA and order a Classic: a goblet of
Porter and a bottle of the good Lord.
The original Yuengling black and tan.
It was about a buck and a bit.
When Pete owned it, the Taproom was one of the best beer bars in the
country before every shit burg in the country had a beer bar. Let’s all make way for the Captain, the tall
ships are coming to harbor. The Captain
was a barroom Maximus before I turned a page of Olson. I learned of the Captain from The Bars of
Reading book by Suds and Dregs, who happened to be two teachers at my high
school. They were minor celebrities, who
appeared on the Johnny Carson show and were written up in the New Yorker by
Calvin Trillin. To me, they were
gods. Before there was Kerouac or
Hemingway or Bukowski or Rimbaud, there was Suds and Dregs. They were the epitome of literature and
drinking.
Along those lines, it was with some dismay that the Deadspin
list of beers did not include Ballantine Ale.
I was at Tradewinds in Blue Hill today and saw a six pack of the half
quarts. Not a pint, not 16 ounces, not a
pounder but a half quart. A can of
Ballantine just seems massive. It is
like you are hanging out with Franz Kline and Pollock at the Cedar. Ballantine Ale is a work of art. Every time I see a can of Ballantine I think
of the Jasper Johns sculpture. A Johns
Ballantine is at the National Gallery in DC and I check it out everytime I go
there. Just before I do, I spend about
30 minutes with Pollock’s Lavender Mist.
Intoxicating to be sure. If the
Johns sculpture was not enough, Ballantine Ale has the Hemingway ad going for
it. I have touched on Ballantine Ale,
Johns and Hemingway on RealityStudio: http://realitystudio.org/bibliographic-bunker/minutes-to-go-and-mad-men/.
I literally cannot pass a six pack of Ballantine Ale without
buying one and toasting 1950s New York City.
I may be here in Maine on my deck with a Ballantine in hand I feel like
I am at 24 University Place not 82 University Place, where I suspect I would be
drinking something more refined.
JB

MIMEO MIMEO #8: CURATORS' CHOICE features 16 bibliophiles on 6 highlights from their personal or institutional collections. Contributors include Steve Clay, Wendy Burk, Tony White, Brian Cassidy, Thurston Moore, J.A. Lee, Michelle Strizever, Adam Davis, Michael Basinski, Joseph Newland, Alastair Johnston, Tate Shaw, Michael Kasper, Steve Woodall, Molly Schwartzberg, Nancy Kuhl, James Maynard, and the Utah posse (Becky Thomas, Marnie Powers-Torrey, Craig Dworkin, Emily Tipps, Luise Poulton, & David Wolske)
MIMEO MIMEO #7: THE LEWIS WARSH ISSUE is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded Angel Hair Magazine and Books with Anne Waldman in 1966, and went on to co-found United Artists Magazine and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.
OUT OF PRINT
MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
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MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press).
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