Once an interviewer asked, “It says in Contemporary Southern
Poetry that you are a prolific poet.
What causes you to write so many poems?”
My answer: “I have suffered. I was an introvert in the Tampa public school
system.”
My torment as an alien in an extroverted school system began
my urge to edit a little magazine. I
wanted a tangible revenge on a society whose values I despised.
Duane
Locke
Editor
University of Tampa Poetry Review
Sounds like Duane was stuffed in a locker or two back in the day when
he was working on the yearbook staff.
Not sure if this is the best reason to start a little mag but, sadly, it
is a common one. Duane’s tangible
revenge is subjecting readers, such as myself, to his “600 poems in over 400
different little magazines, a number of anthologies, and 12 small press books
of poetry.” That was the count back in
1986, I am sure he is still churning out his Lovesongs as a cure to his boyhood
torments.
Until Jason Davis sent me a cover image of Duane’s review, I knew
nothing about it, but the mimeo format caught my eye. It is strange to see a university publication
come in the form of a true mimeo production.
Strange enough that I will have to keep a look out for these early
mimeographed issues to see what he was doing back then. To hear, Duane tell it, the magazine did not
get much support from the university.
Duane got a paycheck from the University of Tampa, but oh, the cost, the
cost. “I do not want anything around to
remind of my servitude and sentence. I have
already started inking out all except ‘Poetry Review.’” For an introverted guy, Duane is quite vocal
in airing his grievances. The University
did not shut him down and some form of his little mag ran in the cultural
backwater of the Sunshine State from 1962 til seemingly forever, which makes me
think he must not have been publishing anything that interesting. But what do I know?
Mr. Happy Face himself has appeared in some interesting places. Blazek printed him in OLE. He did not stand out in the OLEs I read, but
Blazek saw something in him, which is a vote in his favor as far as I am
concerned. Referring to Harter’s index,
Duane appeared in Grist, Mimeo, Black Sun, The Wormwood Review, Poets at Le
Metro, Ghost Dance, Zahir, Blitz, Moonstones, The Goodly Co., Software, Dream
Sheet and Avalanche. I have not read a
single one of these mags. I find this as
proof of the depth and diversity of mimeo publications. Just when you think you have a grip on the
scene, a whole new world opens up.
Green Isle in the Sea documents some of this world. I must say that for the most part I could
give two shits about the magazines Green Isle featured but the essays are
fascinating. I really enjoyed it and
learned quite a bit. Track down a copy
pronto. I have scanned some of Duane’s essay for
you to enjoy. It is too good to
miss. I hope this teaser encourages you to buy Green Isle. The Bobby McFerrin of the mimeo
world is great company on a pleasant Sunday morning. All sunshine and rainbows. “At the University of Florida, the leading
literary scholars came to see me and begged me not to go to the University of
Tampa, saying that I would waste my life at such a place. At the time, I did not fully understand what
the phrase waste your life meant, but
now that I have wasted my life by teaching at the University of Tampa, I
understand the phrase fully.” Now I
prefer the bouquet of FUCK YOUs from Fuck You , a magazine of the art to the
University of Tampa Poetry Review any day of the week, but Duane’s essay in the
Green Isle is every bit as sweet smelling in its raising of the stink finger to
the University of Tampa. A classic. Highly recommended. I love this guy. Maybe we can snort some Zoloft together. “The
effects of snorting Zoloft are painful and severe. If snorted not only does it taste bad, but it
also causes severe pain in the nostrils, sinus cavity, ear, and head.” Good times!!!
JB



MIMEO MIMEO #8: CURATORS' CHOICE features 16 bibliophiles on 6 highlights from their personal or institutional collections. Contributors include Steve Clay, Wendy Burk, Tony White, Brian Cassidy, Thurston Moore, J.A. Lee, Michelle Strizever, Adam Davis, Michael Basinski, Joseph Newland, Alastair Johnston, Tate Shaw, Michael Kasper, Steve Woodall, Molly Schwartzberg, Nancy Kuhl, James Maynard, and the Utah posse (Becky Thomas, Marnie Powers-Torrey, Craig Dworkin, Emily Tipps, Luise Poulton, & David Wolske)
MIMEO MIMEO #7: THE LEWIS WARSH ISSUE is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded Angel Hair Magazine and Books with Anne Waldman in 1966, and went on to co-found United Artists Magazine and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.
OUT OF PRINT
MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
OUT OF PRINT
MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press).
OUT OF PRINT
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