


The prodigal son returns. On my trip I read Anne Sanouillet's expanded edition of Michel Sanouillet's Dada in Paris. The chapters on Dada publications were my favorite parts of the book. While in Rangeley State Park in western Maine near the Wilhelm Reich Museum, I read about Paul Dermee's Z, the second issue of which was a four page mimeo. The book really brought home to me that the Dada publications are the forefathers of post-WWII mimeo. Nowhere is this more clear than Claude Pelieu and Mary Beach's Bulletin from Nothing, a direct descendant of Bulletin Dada, the sixth issue of Tzara's Dada that was the first cultivation of the virus from Zurich within French borders.
Coming home from Rangeley Lake my wife and I decided to cross to New Hampshire and straddle the NH/Vermont border down Rte 91 onward home. We took Rte 2 and connected to Rte 91 at St. Johnsbury, which happens to be a stone's throw from the very French sounding, Calais, VT, and I merely gone in circles from my reading in Rangeley since Calais was home base for Kenward Elmslie's Z Press and Z Magazine. John Ashbery and Joe Brainard immortalized the joys of doing Dada here in their The Vermont Notebook, published by Black Sparrow.
While on our vacation, my wife and I desperately looked for moose, including a long seemingly endless drive up Mt. Blue that dead ended into a trail head guarded by particularly vicious black flies. The moose eluded us until I returned home and flew in the door to my bookcase, and there standing right next to a Black Mountain was my moose on the cover of ZZZZZZ, drawn by Alex Katz, with the mark of Dada on his nose. And with that issue, Elmslie closed the book on Z, and I on my vacation.
JB
MIMEO MIMEO #8: CURATORS' CHOICE features 16 bibliophiles on 6 highlights from their personal or institutional collections. Contributors include Steve Clay, Wendy Burk, Tony White, Brian Cassidy, Thurston Moore, J.A. Lee, Michelle Strizever, Adam Davis, Michael Basinski, Joseph Newland, Alastair Johnston, Tate Shaw, Michael Kasper, Steve Woodall, Molly Schwartzberg, Nancy Kuhl, James Maynard, and the Utah posse (Becky Thomas, Marnie Powers-Torrey, Craig Dworkin, Emily Tipps, Luise Poulton, & David Wolske)
MIMEO MIMEO #7: THE LEWIS WARSH ISSUE is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded Angel Hair Magazine and Books with Anne Waldman in 1966, and went on to co-found United Artists Magazine and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.
OUT OF PRINT
MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
OUT OF PRINT
MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press).
OUT OF PRINT
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