
Jack Kerouac does not appear in a ton of mimeos. Unlike Burroughs and Ginsberg, Kerouac did not flood the little mag circuit with material. He liked to get paid. Kerouac appears most often in Beatitude. He also appears in Issue 34 of Floating Bear ("How to Meditate").
That does nto mean he was not tuned into the goings-on of the Mimeo Revolution. I was blown away at a New York Bookfair to see Kerouac's copy of, I think, Semina 2, inscribed by Berman to Kerouac. Michael McClure thought Kerouac would be interested in what Berman was doing and suggested Berman send Keroauc a copy.
The upcoming June 22 sale at Christie's shows that Kerouac was also on the Floating Bear mailing list. Here is the lot description:
[KEROUAC, Jack.] Eight issues of The Floating Bear. Together 84 pages, 4to, mimeographed sheets, each issue stapled at top left, a few with small closed tears at edges. Provenance: Jack Kerouac (mailing labels on wrappers).
KEROUAC'S COPIES OF A RARE ALTERNATIVE POETRY MAGAZINE, published by Leroi Jones (now Amiri Baraka) and Diane Di Prima, between 1961 and 1969. Thirty-seven issues appeared, we have eight that were mailed to Jack Kerouac over the course of 1961 and 1962 (numbers 2-4, 6, 8, 19 and 21, and one unnumbered issue). Floating Bear brought together New York Beats and members of the Black Mountain school. Contributions in these numbers include, "Beer for Breakfast," by Frank O'Hara, "Oblivion Calling," by Philip Guston, "Siege Poem," by Stan Persky, and "Edward Dorn in the News," by Robert Creeley. Other contributors include Charles Olson, Joel Oppenheimer, Peter Orlovsky and Allen Ginsberg. There were also reviews of recent books and New York cultural events.
The magazine was never sold, merely distributed to subscribers who asked to be on the mailing list (Kerouac's move from Northport, Long Island, to Orlando, Florida is reflected in the changing address labels and Post Office forwarding notations). Its production costs were subsidized by Jones and Di Prima, and by reader contributions. One issue includes thanks "to all the people who helped the Bear buy its own mimeograph machine... Having bought the machine, we now have no money for paper & stamps..." (8)
The estimate is $5000-$7000. It will be interesting to see what this lot will bring. Currently, mimeos with mailing labels are generally not being aggressively priced as association copies. This auction may mark a new trend.
JB
MIMEO MIMEO #8: CURATORS' CHOICE features 16 bibliophiles on 6 highlights from their personal or institutional collections. Contributors include Steve Clay, Wendy Burk, Tony White, Brian Cassidy, Thurston Moore, J.A. Lee, Michelle Strizever, Adam Davis, Michael Basinski, Joseph Newland, Alastair Johnston, Tate Shaw, Michael Kasper, Steve Woodall, Molly Schwartzberg, Nancy Kuhl, James Maynard, and the Utah posse (Becky Thomas, Marnie Powers-Torrey, Craig Dworkin, Emily Tipps, Luise Poulton, & David Wolske)
MIMEO MIMEO #7: THE LEWIS WARSH ISSUE is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded Angel Hair Magazine and Books with Anne Waldman in 1966, and went on to co-found United Artists Magazine and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.
OUT OF PRINT
MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
OUT OF PRINT
MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press).
OUT OF PRINT
2 comments:
Any word as to what these copies ended up going for?
bmogreena
The items were pulled and never made it to auction.
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