
This Sunday night I got roped into watch a bit of You've Got Mail, the 1998 romantic comedy starring Tom Hanks and Meg Ryan. So you know the story already because it was a re-make but what interested me viewing it again was how the movie highlighted the effect of the mega-store on the independent bookstore while ignoring the how the internet and digital publishing would transform the book market. In the current market, Meg Ryan's independent store AND Tom Hank's superstore are under assault by Amazon, Google and other digital marketplaces and technologies. That the internet would transform bookselling receives no mention in the movie as far as I saw.
This is highlighted by the central position of AOL in the movie. Today, AOL is how your grandmother gets on the internet, but in the late 1990s, AOL was the Google of its time. According to net pudnits, AOL was poised to take complete control over the internet. The 2000 merger between AOL and Time Warner heralded the creation of a Net superpower. AOL would provide the internet access and Time Warner would supply the exclusive internet content. It didn't work out that way and the merger was an epic failure. AOL was spun off late last year.
You've Got Mail highlights the fact that the current crisis in the book industry is at least a decade old (and decades older than that), and nobody has any clue how things are going to shake out. Google looks like a potential net superpower, but so did AOL. Google was first incorporated the year You've Got Mail was released. The Kindle was not even on the drawing board.
So pull up a chair and relax. The crisis of the book is going to take decades to play out and there are going to be alot of twists and turns along the way. It would make a hell of a movie.
MIMEO MIMEO #8: CURATORS' CHOICE features 16 bibliophiles on 6 highlights from their personal or institutional collections. Contributors include Steve Clay, Wendy Burk, Tony White, Brian Cassidy, Thurston Moore, J.A. Lee, Michelle Strizever, Adam Davis, Michael Basinski, Joseph Newland, Alastair Johnston, Tate Shaw, Michael Kasper, Steve Woodall, Molly Schwartzberg, Nancy Kuhl, James Maynard, and the Utah posse (Becky Thomas, Marnie Powers-Torrey, Craig Dworkin, Emily Tipps, Luise Poulton, & David Wolske)
MIMEO MIMEO #7: THE LEWIS WARSH ISSUE is the first magazine ever devoted in its entirety to poet, novelist, publisher, teacher, and collage artist Lewis Warsh. Warsh was born in 1944 in the Bronx, co-founded Angel Hair Magazine and Books with Anne Waldman in 1966, and went on to co-found United Artists Magazine and Books with Bernadette Mayer in 1977. He is the author of over thirty books of poetry, fiction and autobiography, the Director of the MFA program in Creative Writing at Long Island University in Brooklyn, and as you’ll soon discover, so much more. Includes an introduction by Daniel Kane, an interview conducted by Steve Clay, 10 new stories, 5 new poems, dozens of photographs and collages, and an anecdotal bibliography.
OUT OF PRINT
MIMEO MIMEO #6: THE POETRY ISSUE is devoted to new work by eight poets who have consistently composed quality writing that has influenced and inspired generations since the golden era of the mimeo revolution. Contributors include Bill Berkson, John Godfrey, Ted Greenwald, Joanne Kyger, Kit Robinson, Rosmarie Waldrop, Lewis Warsh, and Geoffrey Young. Cover art by George Schneeman.
OUT OF PRINT
MIMEO MIMEO #3: THE DANNY SNELSON ISSUE examines the relationship between structuralism and the poetries of the mimeo era by presenting a detailed analysis of Form (a Cambridge-UK magazine published in 1966) and Alcheringa (a journal published by Boston University in 1975), two exemplary gatherings that illuminate the historical, material and social circumstances under which theory informed art (and vice versa) in the early works of some of today's most celebrated experimental writers. Also includes a special insert, The Infernal Method, written, designed and printed by Aaron Cohick (NewLights Press).
OUT OF PRINT
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